Mizik rasin
| Rasin | |
|---|---|
| Stylistic origins | Rada rhythms, petro rhythms, rock and roll |
| Cultural origins | 1987, Haiti |
| Typical instruments | Rada and petro drums, tanbou, rara horns, electronic keyboards, electronic drums, electric guitars, electric bass |
| Subgenres | |
| Regional scenes | |
| Haiti, French West Indies, Dominica, France, North America | |
| Music of Haiti | |
|---|---|
| General topics | |
| Related articles | |
| Genres | |
| Media and performance | |
| Music awards | Haitian Music Award |
| Music festivals | |
| Nationalistic and patriotic songs | |
| National anthem | La Dessalinienne |
| Regional music | |
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Rasin is a musical style that began in Haiti in the 1970s when musicians began combining elements of traditional Haitian Vodou ceremonial and folkloric music with rock and roll. This style of modern music reaching back to the roots of Vodou tradition came to be called mizik rasin ("roots music") in Haitian Creole or musique racine in French. In context, the movement is often referred to simply as "rasin" or "racine"".
Rasin bands combine the Vodou ceremonial and folk music traditions with rock and roll. The Haitian Vodou musical tradition includes "cool" rada rhythms often associated with Africa and the "hot" petro rhythms that speak of a New World, and rasin bands incorporate both styles in their music, although rarely in the same song. On top of the basic horn and drum rhythms, melodies are layered that include structure from rock and roll. Typical rasin instrumentation can include a variety of drums (including distinct rada and petro styles), rara horns, electronic keyboards, electronic drums, electric guitars, an electric bass, and one or more vocalists.
Most rasin song lyrics are written in Creole and often incorporate traditional Vodou ceremonial lyrics or poetry. Song can speak to traditional Vodou themes such as spying and betraying, feeling lost or estranged, the need for judgement and justice, or the urge to reconnect with an ancestral homeland. Some rasin songs are based on prayers directed to particular loa, or gods, while others may be ballads relating to Haitian mythology. Many songs contain multiple layers of meaning, and can be interpreted as social or political commentary. Songs often emphasize spiritual messages of tolerance, faith, justice, and universal love. The music is upbeat and rhythmic and, like Vodou ceremonial music, intended for dancing.
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Wikipedia