Marjorie Gateson | |
---|---|
Born |
Marjorie Augusta Gateson January 17, 1891 Brooklyn, New York, U.S. |
Died | April 17, 1977 New York City, New York, U.S. |
(aged 86)
Occupation | Actress |
Years active | 1931-1958 |
Marjorie Augusta Gateson (January 17, 1891 – April 17, 1977), was a stage and film actress.
She was born in Brooklyn, New York, to Augusta and Daniel Gateson. Her maternal grandfather and brother were clergymen; Some sources state her father was one too, but Axel Nissen in his book Mothers, Mammies and Old Maids: Twenty-Five Character Actresses of Golden Age Hollywood writes that he was a contractor. She attended the Packer Collegiate Institute and the Brooklyn Conservatory of Music, the latter being where her mother taught elocution. She believed her mother had "an inner longing for the stage", which she passed on to Marjorie, along with diction and poise.
Gateson's musical schooling came in handy, helping her land a job in the chorus in a play called The Pink Lady. She made her Broadway debut at the age of 21 in a short-lived musical called The Dove of Peace on November 4, 1912; the show closed after 12 performances. During the much longer run of her next Broadway play, The Little Cafe (November 12, 1913 – March 14, 1914), she played several of the characters. In 1917's Broadway musical Have a Heart, she got to sing a couple of songs. She performed in a steady diet of musical comedies for another decade, ending with Oh, Ernest! (1927), but also appeared in non-musical comedies and dramas. After the Broadway comedy As Good as New in 1930, she set out for Hollywood.
Gateson made her film debut in 1931, after more than two decades on the stage, playing secondary character roles as women of wealth and breeding, who were often haughty and aloof. She is perhaps best known as the society matron who attempts to thwart Mae West's character's plans for social climbing in the 1935 film Goin' to Town, and as a rather kinder socialite whom Harold Lloyd teaches to box in 1934's The Milky Way.
Other films in which she appeared include The King's Vacation (1933) (her largest role, the female lead opposite George Arliss), Bureau of Missing Persons (1933), Private Number (1936), You'll Never Get Rich (1941), International Lady (1941), and Meet The Stewarts (1942). Her film work petered out in the late 1940s and she jumped into television roles.