You'll Never Get Rich | |
---|---|
Theatrical poster
|
|
Directed by | Sidney Lanfield |
Produced by | Samuel Bischoff |
Written by | Michael Fessier Ernest Pagano |
Starring |
Fred Astaire Rita Hayworth Robert Benchley |
Music by |
Cole Porter Morris W. Stoloff |
Cinematography | Philip Tannura |
Edited by | Otto Meyer |
Distributed by | Columbia Pictures |
Release date
|
September 25, 1941 |
Running time
|
88 minutes |
Country | United States |
Language | English |
You'll Never Get Rich (Columbia Pictures) is a 1941 Hollywood musical comedy film with a wartime theme starring Fred Astaire, Rita Hayworth, Robert Benchley, Cliff Nazarro, with music and lyrics by Cole Porter. The film was directed by Sidney Lanfield. The title stems from an old Army song which includes lyrics "You'll never get rich / by digging a ditch / you're in the Army now!"
This was Hayworth's first starring role in a big budgeted film from her home studio Columbia Pictures. While the film was in production Life Magazine put her on its cover, and featured inside a photo of Hayworth kneeling on a bed in a nightgown, which soon became one of the most widely distributed pin-ups of all time. Hayworth, a talented and sensual dancer of astonishing natural grace and beauty, cooperated enthusiastically with Astaire's intense rehearsal habits, and was later to remark: "I guess the only jewels in my life are the pictures I made with Fred Astaire". The picture was very successful at the box office, turning Hayworth into a major star, and provided a welcome boost to Astaire who felt his career had flagged since breaking with Ginger Rogers.
One of the film's songs, Since I Kissed My Baby Goodbye, was nominated for an Academy Award for Best Song.
Theater owner and womanizer Martin Cortland (Robert Benchley) enlists the aid of his manager Robert Curtis (Fred Astaire) to woo dancer Sheila Winthrop (Rita Hayworth) but is caught by his long-suffering wife Julia (Frieda Inescort), who hints that he's gone too far this time and his increasingly unbelievable excuses might soon be judged by "twelve strange men." Robert and Sheila are attracted to one another but Robert is caught in Martin's continual attempts to deceive his wife (and keep his marriage, and thus his fortune, intact) and Sheila doubts Robert's sincerity.