Maria Pawlikowska-Jasnorzewska
| Maria Pawlikowska-Jasnorzewska | |
|---|---|
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| Born | 24 November 1891 Kraków |
| Died | 9 July 1945 (aged 53) Manchester, England |
| Occupation | Poet, dramatist |
| Language | Polish |
| Nationality | Polish |
| Period | Poland's interwar period |
| Notable works | Baba-dziwo Gołąb ofiarny |
| Spouse | Władysław Bzowski (1915-1929) Jan Pawlikowski (1919-1929) Stefan Jasnorzewski (1931) |
Maria Pawlikowska-Jasnorzewska, née Kossak (24 November 1891 – 9 July 1945), was a prolific Polish poet known as the Polish Sappho and "queen of lyrical poetry" during Poland's interwar period. She was also a dramatist.
Born in Kraków into a family of painters, Maria Kossak grew up surrounded by artists, writers, and intellectuals. Her grandfather, Juliusz Kossak, and father, Wojciech Kossak, were both professional painters famous for their depictions of historical scenes and horses. Her younger sister, Magdalena Samozwaniec, was also a popular writer of satire.
Fluent in French, English, and German, in her youth, Kossak divided her time between painting and poetry. It was only during her marriage to Jan Pawlikowski — after the annulment of her first marriage to Władysław Bzowski — that her literary interests prevailed, inspired by the couple's discussions about her poetic output and the world of literature in general. Their passionate relationship based on shared interests and mutual love was an endless source of poetic inspiration for her. However, her second marriage also failed.
Following her divorce, Maria Pawlikowska became associated with the Warsaw-based Skamander group of poets: Julian Tuwim, Jan Lechoń, Kazimierz Wierzyński, and other renowned writers such as Jarosław Iwaszkiewicz, Irena Krzywicka, Kazimiera Iłłakowiczówna and Tadeusz Boy-Żeleński. In the inter-war period Pawlikowska-Jasnorzewska published twelve volumes of poetry and established herself as one of the most innovative poets of the era.
She began her career as a playwright in 1924, with her first farce, Archibald the Chauffeur, produced in Warsaw. By 1939 she had written fifteen plays whose treatment of taboo topics such as abortion, extramarital affairs, and incest provoked scandals. She was compared by critics to Molière, Marivaux, Oscar Wilde, George Bernard Shaw, and Witkacy. Her plays depicted her unconventional approach to motherhood, which she understood as a painful obligation that ends mutual passion. She spoke in support of a woman's right to choose.
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Wikipedia