Marenzio

Luca Marenzio (also Marentio; October 18, 1553 or 1554 – August 22, 1599) was an Italian composer and singer of the late Renaissance. He was one of the most renowned composers of madrigals, and wrote some of the most famous examples of the form in its late stage of development, prior to its early Baroque transformation by Monteverdi. In all, Marenzio wrote around 500 madrigals, ranging from the lightest to the most serious styles, packed with word-painting, chromaticism, and other characteristics of the late madrigal style. Marenzio was influential as far away as England, where his earlier, lighter work appeared in 1588 in the Musica Transalpina, the collection that initiated the madrigal craze in that country. Marenzio worked in the service of several aristocratic Italian families, including the Gonzaga, Este, and Medici, and spent most of his career in Rome.

According to biographer Leonardo Cozzando, writing in the late 17th century, Marenzio was born at Coccaglio, a small town near Brescia, as one of seven children to a poor family. His father was a notary clerk in Brescia. A birthdate of October 18, 1553 has been proposed, based his father's stating in 1588 that his son was 35, and a suggestion that he may have been named after St. Luke, whose feast day is on October 18. He may have had some early musical training under Giovanni Contino, who was maestro di cappella at Brescia Cathedral from 1565 to 1567. He may also have gone with Contino to Mantua in 1568 when Contino began serving the Mantuan Gonzaga family; later in his life, Marenzio mentioned having spent several years in Mantua in the service of the Gonzaga family, but was unspecific as to which years.

Following his time in Brescia and Mantua, he went to Rome, where he was employed by Cardinal Cristoforo Madruzzo until July 1578, evidently as a singer. Since Madruzzo had been the employer of Contino in Trent, this may have been arranged by Contino. After the cardinal's death Marenzio served at the court of Cardinal Luigi d'Este, who was a friend of Madruzzo; according to Marenzio himself, writing in the dedication of his first madrigal book, he was the cardinal's maestro di cappella, although Luigi's musical establishment only included a handful of musicians. Shortly after his hire, Luigi attempted to land a position for him with the papal choir, but was unable to do so for political reasons.

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