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Marathon (television)


A marathon is an event in which viewers or readers engage many hours-worth of media (film, television, books, YouTube videos etc.) in a condensed time period. This phrase represents a two-fold shift from binge-watch in that it incorporates other media (not just television) and it reduces the negative connotations associated with bingeing. In the 2014 book Media Marathoning: Immersions in Morality, Lisa Perks describes media marathoning as a “comprehensive and complimentary phrase” that “connotes a conjoined triumph of commitment and stamina. This phrase also captures viewers’ or readers’ engrossment, effort, and sense of accomplishment surrounding their media interaction.” Netflix Executive Todd Yellin is quoted as saying "I don't like the term 'binge,' because it sounds almost pathological. 'Marathon' sounds more celebratory."

Media marathons can be organized around particular series, particular artists (e.g., Kurosawa or Hitchcock), or genres (e.g., horror films or chick flicks). Marathons can be user-created: one person decides to undertake a marathon solo or to organize a group marathon. Marathons may also be producer-created. Producer-created marathons are usually orchestrated by movie theaters, fan sites, or by cable channels that show already-run seasons, and, more recently, with original first-run programming through streaming services (such as Netflix's House of Cards). In television, a marathon is an extension of the concept of block programming.

The most common reasons for a network to run a marathon are:

Marathons are attractive to genre movie fans, or families that like watching their favourite movies/TV shows in blocks at a time.

Television marathons originated at Nick at Nite, where Alan Goodman and Fred Seibert created the idea in 1985. Goodman and Seibert based the concept on a similar concept that radio stations used, in which songs by one particular artist would be played for a prolonged period of time. While early marathons were rare and special, in modern time it is common for some networks to air a television series in three- to four-hour blocks, sometimes on a daily basis, that are sometimes to referred to mini-marathons. Documentary channels such as History and National Geographic Channel, in particular, have begun routinely to broadcast marathons of 12 hours or more of some programs. Separated by movies and other series, Law & Order and its related spin-offs air on TNT, USA, and Bravo a total of approximately ten times a day.


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