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Mala Pasqua!

Mala Pasqua!
Opera by Stanislao Gastaldon
Mala Pasqua Libretto 1890.JPG
Adolfo Hohenstein's illustration for the opera's libretto published in 1890 by Ricordi
Librettist Giovanni Domenico Bartocci-Fontana
Premiere 9 April 1890 (1890-04-09)
Teatro Costanzi, Rome

Mala Pasqua! (Bad Easter!) is an opera in three acts composed by Stanislao Gastaldon to a libretto by Giovanni Domenico Bartocci-Fontana. The libretto is based on Giovanni Verga's play, Cavalleria rusticana (Rustic Chivalry) which Verga had adapted from his short story of the same name. Mala Pasqua! premiered on 9 April 1890 at the Teatro Costanzi in Rome, six weeks before Pietro Mascagni's opera Cavalleria rusticana which was also based on Verga's play. Bartocci-Fontana's libretto adds some elements that were not in Verga's original and expands on others. The name of the Santuzza character was also changed to Carmela, but the basic plot and setting remain the same. Its title refers to the curse which Carmela places on Turiddu, the lover who had spurned her: "Mala Pasqua a te!" ("May you have an evil Easter!"). Following its Rome premiere Mala Pasqua! had a few more performances in Perugia and Lisbon, but it was completely eclipsed by the phenomenal success of Mascagni's opera. After the 1891 Lisbon run it was not heard again until 2010 when it was given a semi-staged performance in Agrigento, Sicily.

Giovanni Verga's "Cavalleria rusticana" ("Rustic Chivalry") was originally published in Vita dei campi (Life in the Fields), his 1880 collection of short stories depicting Sicilian peasant life. The story itself is less than 2000 words long and is told almost entirely through the dialogue of its characters: Lola, Turiddu (Lola's lover), Alfio (Lola's husband), Santa (Turiddu's spurned lover), and Nunzia (Turiddu's mother). At the urging of the actress Eleonora Duse, Verga adapted the story for the theatre, doubling its length and elaborating on the plot. Santa became Santuzza and a much more central character than she had been in the short story. Four new characters were also added: Brasi, Camilla, Filomena, and Pipuzza, villagers who comment on the actions of the protagonists. Cavalleria rusticana, a play in one act and nine scenes, premiered with Duse as Santuzza on January 14, 1884 at the Teatro Carignano in Turin and became Verga's most successful stage work. Duse toured it in Italy and abroad and it was the basis for several films and at least three operas, the first of which was Mala Pasqua!


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