Pietro Mascagni

Pietro Antonio Stefano Mascagni (Italian: [ˈpjɛːtro anˈtɔːnjo ˈsteːfano masˈkaɲɲi]; 7 December 1863 – 2 August 1945) was an Italian composer most noted for his operas. His 1890 masterpiece Cavalleria Rusticana caused one of the greatest sensations in opera history and single-handedly ushered in the Verismo movement in Italian dramatic music. While it was often held that Mascagni, like Leoncavallo, was a "one-opera man" who could never repeat his first success, L'amico Fritz and Iris have remained in the repertoire in Europe (especially Italy) since their premieres. Mascagni said that at one point, Iris was performed in Italy more often than Cavalleria (cf. Stivender).

Mascagni wrote fifteen operas, an operetta, several orchestral and vocal works, as well as songs and piano music. He enjoyed immense success during his lifetime, both as a composer and conductor of his own and other people's music. He created a variety of styles in his operas: a Sicilian passion and warmth of Cavalleria, the exotic flavor of Iris, the idylls of L'amico Fritz and Lodoletta, the Gallic chiaroscuro of Isabeau, the steely, Veristic power of Il piccolo Marat, the over-ripe post-romanticism of the lush Parisina, which demonstrate a versatility.

Mascagni was born in Livorno, Tuscany, the second son of Domenico and Emilia Mascagni. His father owned and operated a bakery. Giovanni Targioni-Tozzetti ("Nanni") was born the same year in the same city and became Mascagni's lifelong friend and collaborator.

In 1876, at the age of 13, Mascagni began musical studies with Alfredo Soffredini, who founded the Instituto Musicale di Livorno (later called Istituto Cherubini). The older man had just completed his musical studies in Milan. Also a native of Livorno, Soffredini was a composer, teacher and musical critic. The youth started composing rapidly, and between 1879 and 1880, he composed several works: Sinfonia in do minore, Prima sinfonia in fa maggiore, Elegia, Kyrie, Gloria and Ave Maria.

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