Cathedral of Saint Martin Cattedrale di San Martino |
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Façade and bell tower of Lucca Cathedral
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Basic information | |
Location | Lucca, Italy |
Geographic coordinates | 43°50′26.5″N 10°30′21″E / 43.840694°N 10.50583°ECoordinates: 43°50′26.5″N 10°30′21″E / 43.840694°N 10.50583°E |
Affiliation | Roman Catholic |
Rite | Roman |
District | Archdiocese of Lucca |
Country | Italy |
Ecclesiastical or organizational status | Cathedral |
Architectural description | |
Architectural type | Church |
Architectural style | Gothic |
Lucca Cathedral (Italian: Duomo di Lucca, Cattedrale di San Martino) is a Roman Catholic cathedral dedicated to Saint Martin in Lucca, Italy. It is the seat of the Archbishop of Lucca. Construction was begun in 1063 by Bishop Anselm (later Pope Alexander II).
Of the original structure, the great apse with its tall columnar arcades and the fine campanile remain. The nave and transepts of the cathedral were rebuilt in the Gothic style in the 14th century, while the west front was begun in 1204 by Guido Bigarelli of Como, and consists of a vast portico of three magnificent arches, and above them three ranges of open galleries adorned with sculptures.
In the nave a small octagonal temple or chapel shrine contains the most precious relic in Lucca, the Holy Face of Lucca (Italian: Volto Santo di Lucca) or Sacred Countenance. This cedar-wood crucifix and image of Christ, according to the legend, was carved by his contemporary Nicodemus, and miraculously conveyed to Lucca in 782. Christ is clothed in the colobium, a long sleeveless garment. The chapel was built in 1484 by Matteo Civitali, the most famous Luccan sculptor of the early Renaissance.
The tomb of Ilaria del Carretto by Jacopo della Quercia of Siena, the earliest of his extant works was commissioned by her husband, the lord of Lucca, Paolo Guinigi, in 1406.
Additionally the cathedral contains Domenico Ghirlandaio's Madonna and Child with Saints Peter, Clement, Paul and Sebastian; Federico Zuccari's Adoration of the Magi, Jacopo Tintoretto's Last Supper, and finally Fra Bartolomeo's Madonna and Child (1509).