Louisiana Creole music

The music of Louisiana can be divided into three general regions: rural south Louisiana, home to Creole Zydeco and Old French (now known as cajun music), New Orleans, and north Louisiana. The region in and around Greater New Orleans has a unique musical heritage tied to Dixieland jazz, blues, and Afro-Caribbean rhythms. The music of the northern portion of the state starting at Baton Rouge and reaching Shreveport has similarities to that of the rest of the US South.

Rural south Louisiana's music also features very significant input from non-Creoles, most notably African Americans who are critical to the cultural/musical identity. Four main musical genres are indigenous to this area — Creole music(i.e. zydeco), swamp pop, and swamp blues. These historically-rooted genres, with unique rhythms and personalities, have been transformed with modern sounds and instruments. The southwestern and south central Louisiana areas herald many artists and songs that have become international hits, won Grammy awards, and become highly sought after by collectors.

In southwestern Louisiana in the 1800s, the fiddle was the most popular Cajun instrument and the music still carried clear influences from the Poitou region of France and the Scottish/Canadian influences of their earlier homeland. In the late 19th century German immigrants spreading outward from central and eastern Texas and New Orleans soon brought the accordion as well. Creoles at the time sang a rhythmic type of song called juré. When accordion, fiddle and the triangle iron were added later, the music evolved into French music or form la la, a central component of Creole music. La la was primarily rural, played at house dances also known as la las, and found in towns in the prairie regions like Mamou, Eunice and Opelousas.

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