The literature of Singapore comprises a collection of literary works by Singaporeans in any of the country's four main languages: English, Malay, Standard Mandarin, and Tamil.
While Singaporean literary works may be considered as also belonging to the literature of their specific languages, the literature of Singapore is viewed as a distinct body of literature portraying various aspects of Singapore society and forms a significant part of the culture of Singapore. Literature in all four official languages has been translated and showcased in publications such as the literary journal Singa, that was published in the 1980s and 1990s with editors including Edwin Thumboo and Koh Buck Song, as well as in multilingual anthologies such as Rhythms: A Singaporean Millennial Anthology Of Poetry (2000), in which the poems were all translated three times each into the three languages. A number of Singaporean writers such as Tan Swie Hian and Kuo Pao Kun have contributed work in more than one language. However, such cross-linguistic fertilisation is becoming increasingly rare and it is now increasingly thought that Singapore has four sub-literatures instead of one.
Singaporean literature in English started with the Straits-born Chinese community in the colonial era; it is unclear which was the first work of literature in English published in Singapore, but there is evidence of Singapore literature published as early as the 1830s. The first notable Singaporean work of poetry in English is possibly Teo Poh Leng's F.M.S.R. This modernist poem was published in 1937 in London under the pseudonym of Francis P. Ng. This was followed by Wang Gungwu's Pulse in 1950.
With the independence of Singapore in 1965, a new wave of Singapore writing emerged, led by Edwin Thumboo, Arthur Yap, Robert Yeo, Goh Poh Seng, Lee Tzu Pheng, Chandran Nair and Kirpal Singh. It is telling that many critical essays on Singapore literature name Thumboo's generation, rightly or wrongly, as the first generation of Singapore writers. Poetry is the predominant mode of expression; it has a small but respectable following since independence, and most published works of Singapore writing in English have been in poetry.