Lift Your Skinny Fists Like Antennas to Heaven | ||||
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Cover art by William Schaff
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Studio album by Godspeed You! Black Emperor | ||||
Released | 12 September 2000 | |||
Recorded | February 2000 | |||
Studio | Chemical Sound Studios in Toronto, Ontario, Canada | |||
Genre | ||||
Length | 87:21 | |||
Label | ||||
Producer | Daryl Smith | |||
Godspeed You! Black Emperor chronology | ||||
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Professional ratings | |
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Aggregate scores | |
Source | Rating |
Metacritic | 84/100 |
Review scores | |
Source | Rating |
AllMusic | |
Alternative Press | 5/5 |
The Austin Chronicle | |
The Guardian | |
NME | 9/10 |
Pitchfork Media | 9.0/10 |
Q | |
Select | 5/5 |
Spin | 8/10 |
Uncut |
Lift Your Skinny Fists Like Antennas to Heaven (also known as Lift Yr. Skinny Fists Like Antennas to Heaven! and Levez Vos Skinny Fists Comme Antennas to Heaven) is the second studio album, which is released in 2000 as double album by the Canadian post-rock group Godspeed You! Black Emperor.
The four tracks on Lift Your Skinny Fists Like Antennas to Heaven are composed of individually named internal movements. The whole album is instrumental, except for sampled voice inserts. The samples on the album are often used to send some satirical or political message. The inner panels of the vinyl edition released by Constellation contain a diagram used to illustrate the relative lengths of movements within the four tracks; each movement is drawn by Efrim Menuck, as a rectangular block with its length determined by the proportion of the track it comprises. Some of the blocks are shifted slightly upwards to show an increase in intensity. The movement title and the numerical length are denoted either above or below the square. The same diagram is provided as a paper insert in the CD edition from Kranky.
The inside cover drawings were taken from William Schaff's "Notes to a Friend; Silently Listening No. 2", and the cover was a redrawn version of one of the pieces on "Notes to a Friend", by John Arthur Tinholt. The flip side of the vinyl contains various images taken by the band.
The album was universally praised upon release, receiving a Metacritic score of 84 based on 13 reviews, indicating "Universal acclaim".Pitchfork Media called it a "massive and achingly beautiful work" calling the first disc " a refinement of the sound that crystallized on the Slow Riot EP" whilst the second disc "flirts with moments of vertiginous shoegazing, looser rock drumming and reckless crescendos of unalloyed noise".Alternative Press called it "a massive instrumental effort" that "(is) as skilled and musical as it is on-the-fly improvised and messy" (#150, p. 94).The A.V. Club called the album "as beautiful and disarming as its predecessors". Tiny Mix Tapes called the album "alternately hypnotic and captivating, sleepy and startling" comparing its sounds to "a far subtler Pink Floyd".The Austin Chronicle called it "cinematic" and "breathtaking in its grandiose beauty".