Libera me, WAB 22
| Libera me | |
|---|---|
| Motet by Anton Bruckner | |
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L'Office des morts, Maître de Rohan
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| Key | F minor |
| Catalogue | WAB 22 |
| Form | Absoute |
| Text | Libera me |
| Language | Latin |
| Composed | 28 March 1854: Sankt Florian |
| Published | 1922: Vienna |
| Vocal | SSATB choir |
| Instrumental | 3 trombones, organ, cello, double bass |
Libera me ("Deliver me"), WAB 22, is the second of two settings of the absoute Libera me, composed by Anton Bruckner in 1854.
Bruckner composed the motet during his stay in Sankt Florian for the absoute of the funeral of prelate Michael Arneth.
The original manuscript is lost, but several copies of it are found in the archive of the St. Florian Abbey, the Kremsmünster Abbey and the Österreichische Nationalbibliothek. The motet was first published in an appendix of band 7-10 of Musica divina, Vienna, 1922. It is put in Band XXI/17 of the Gesamtausgabe.
The in total 94-bar work in F minor is scored for SSATB choir, 3 trombones and figured bass (organ, cello and double bass). It is in five parts, separated by cadences on the responses Quando cœli and Dum veneris
Part 3 contains dissonances similar to those found in the Agnus Dei of the later Mass in E minor. Apart from its significance as a precursor to Bruckner's mature style, the F minor Libera me is effective on its own terms. The music is heartfelt and profound, and is a gracious, if rather austere, rendering of the text.
The first recording of the Libera me occurred in 1979:
A selection among the about 20 recordings:
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