*** Welcome to piglix ***

Mass No. 2 (Bruckner)

Mass No. 2
by Anton Bruckner
Linz Neuer Dom Innen Kapelle.JPG
The votive chapel in the Linz Cathedral (Mariä-Empfängnis- Dom), with a statue of Mary to whom the cathedral is dedicated
Key E minor
Catalogue WAB 27
Form Mass
Composed
  • 1866 (1866): Linz (first version)
  • 1882 (1882): Vienna (second version)
Dedication Dedication of the Votivkapelle of the new Linz Cathedral
Performed
  • 29 September 1869 (1869-09-29): Linz (first version)
  • 4 October 1885 (1885-10-04): Linz (second version)
Published 1896 (1896)
Movements 6
Vocal SSAATTBB choir
Instrumental Wind band

The Mass No. 2 in E minor, WAB 27, by Anton Bruckner is a setting of the mass ordinary for eight-part mixed choir and wind band (2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets and 3 trombones).

The bishop of Linz, Franz-Josef Rudigier, had already commissioned a Festive cantata from Bruckner in 1862 to celebrate the laying of the foundation stone of the new cathedral, the Maria-Empfängnis-Dom. In 1866, he asked Bruckner for a mass to celebrate the accomplishment of the construction of the Votive Chapel of the new cathedral. Because of a delay in completing the construction, the celebration of the dedication didn't take place until three years later, on 29 September 1869.

Bruckner subjected the work to far-reaching revision in 1869, 1876, and 1882. The second version of 1882 was performed on 4 October 1885 in the Alter Dom, Linz.

Two versions of the mass are available:

The differences among the two versions are described in detail at the end of the score of the 1882 version.

The piece is based strongly on old-church music tradition, and particularly old Gregorian style singing. The Kyrie is almost entirely made up of a cappella singing for eight voices. The Gloria ends with a fugue, as in Bruckner's other masses. In the Sanctus, Bruckner uses a theme from Palestrina's Missa Brevis.

According to the Catholic practice – as also in Bruckner’s preceding Missa solemnis and Mass No. 1 – the first verse of the Gloria and the Credo is not composed and has to be intoned by the priest in Gregorian mode before the choir goes on.


...
Wikipedia

...