Mass No. 2 | |
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by Anton Bruckner | |
The votive chapel in the Linz Cathedral (Mariä-Empfängnis- Dom), with a statue of Mary to whom the cathedral is dedicated
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Key | E minor |
Catalogue | WAB 27 |
Form | Mass |
Composed | |
Dedication | Dedication of the Votivkapelle of the new Linz Cathedral |
Performed | |
Published | 1896 |
Movements | 6 |
Vocal | SSAATTBB choir |
Instrumental | Wind band |
The Mass No. 2 in E minor, WAB 27, by Anton Bruckner is a setting of the mass ordinary for eight-part mixed choir and wind band (2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets and 3 trombones).
The bishop of Linz, Franz-Josef Rudigier, had already commissioned a Festive cantata from Bruckner in 1862 to celebrate the laying of the foundation stone of the new cathedral, the Maria-Empfängnis-Dom. In 1866, he asked Bruckner for a mass to celebrate the accomplishment of the construction of the Votive Chapel of the new cathedral. Because of a delay in completing the construction, the celebration of the dedication didn't take place until three years later, on 29 September 1869.
Bruckner subjected the work to far-reaching revision in 1869, 1876, and 1882. The second version of 1882 was performed on 4 October 1885 in the Alter Dom, Linz.
Two versions of the mass are available:
The differences among the two versions are described in detail at the end of the score of the 1882 version.
The piece is based strongly on old-church music tradition, and particularly old Gregorian style singing. The Kyrie is almost entirely made up of a cappella singing for eight voices. The Gloria ends with a fugue, as in Bruckner's other masses. In the Sanctus, Bruckner uses a theme from Palestrina's Missa Brevis.
According to the Catholic practice – as also in Bruckner’s preceding Missa solemnis and Mass No. 1 – the first verse of the Gloria and the Credo is not composed and has to be intoned by the priest in Gregorian mode before the choir goes on.