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Let England Shake

Let England Shake
PJ Harvey - Let England Shake.png
Studio album by PJ Harvey
Released 14 February 2011
Recorded April–May 2010
Studio Eype Church in Dorset, United Kingdom
Genre Folk rock
Length 40:15
Label
Producer
PJ Harvey chronology
White Chalk
(2007)
Let England Shake
(2011)
The Hope Six Demolition Project
(2016)
PJ Harvey chronology
A Woman a Man Walked By
(2009)
Let England Shake
(2011)
The Hope Six Demolition Project
(2016)
Singles from Let England Shake
  1. "The Words That Maketh Murder"
    Released: 7 February 2011
  2. "The Glorious Land"
    Released: 18 April 2011
  3. "Written on the Forehead"
    Released: 2011
Professional ratings
Aggregate scores
Source Rating
Metacritic 86/100
Review scores
Source Rating
AllMusic 4/5 stars
Entertainment Weekly A
The Guardian 5/5 stars
Los Angeles Times 4/4 stars
MSN Music B+
NME 10/10
Pitchfork Media 8.8/10
Q 5/5 stars
Rolling Stone 3/5 stars
Spin 9/10

Let England Shake is the eighth studio album by English singer-songwriter and musician PJ Harvey, released on 14 February 2011 by Island Records. Production began around the time of White Chalk's release in 2007, though it is a departure from the piano-driven introspection of that album. Let England Shake was written over a two-and-a-half year period, and recorded in five weeks at a church in Dorset during April and May 2010.

Upon release, the album received numerous accolades. It was placed 2011 "Album of the Year" by 16 publications and in September 2011 won the coveted Mercury Prize. It was PJ Harvey's fourth nomination overall (including another win in 2001), making her the most successful artist in the prize's history. The album also won the Uncut Music Award in November 2011, as well as Album of the Year in the 2012 Ivor Novello Awards.

Harvey began writing lyrics for the album before setting the words to music. She has cited the poetry of Harold Pinter and T.S. Eliot as influences, as well as the artwork of Salvador Dalí and Francisco de Goya and music of The Doors, The Pogues, and The Velvet Underground. She has also spoken of researching the history of conflict, including the Gallipoli Campaign, and reading modern-day testimonies from civilians and soldiers in Iraq and Afghanistan.

During some solo shows some years prior to working on this album, Harvey had begun playing the autoharp. She told local newspaper Bridport News in 2011: "I was really enjoying this different, enormous, wide breadth of sound that the autoharp gives. It's quite a delicate sound, but it's also like having an entire orchestra at your fingertips. I began by writing quite a lot on the autoharp, and then slowly as time went by, (because this album was written over two and a half years)… my writing started moving into experimenting with different guitars, and using different sound applications, ones that I had never really experimented with."


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