Leon Danielian
| Leon Danielian | |
|---|---|
| Born | October 31, 1920 New York, New York, United States |
| Died | March 8, 1997 (aged 76) Canaan, Connecticut, USA |
| Occupation | ballet, dancer, choreographer |
| Known for | Gaite Parisienne |
Leon Danielian (31 October 1920 – 8 March 1997) was an American ballet dancer, teacher, choreographer, and educator. As guest artist with ballet companies around the world, he became one of the first American male dancers to achieve international recognition.
Leon Danielian, born in New York City, was the son of Armenian immigrants Frank and Varsik (Coolidganian) Danielian. As a child, he took private ballet classes with Madame Seda Suny, a well-known Armenian dance teacher, and later continued his studies under Mikhail Mordkin, Michel Fokine, Igor Schwezoff, and Vecheslav Swoboda. He made his debut with the Mordkin Ballet in 1937, became a charter member of Ballet Theater in 1939, and appeared, briefly, with Colonel Wassily de Basil's Original Ballet Russe in 1941. He also danced in Broadway musicals during these early years. In 1943 he joined Ballet Russe de Monte Carlo as a soloist and remained with that company until 1961, having become a premier danseur with an unusually wide repertory. Admired for his classical technique as well as his gift for comedy, he made many guest appearances with other companies, among them Les Ballets de Champs-Élysées, as partner to Yvette Chauviré, and San Francisco Ballet, which toured internationally.
Danielian was a virtuoso dancer, possessing a buoyant technique and a noble carriage in princely roles in classic ballets. His clean, incisive batterie (jumps in which the feet quickly cross and the legs beat together) made him an ideal performer of such sparkling roles as the Bluebird in The Sleeping Beauty as well as showpiece solos in Swan Lake and Raymonda. He often partnered ballerina Ruthanna Boris, having originated bravura roles in her ballets Cirque de Deux (1947) and Quelques Fleurs (1948). In 1949, in recognition of his classical technique and strong stage presence, he was the recipient of the Dance Magazine Award for best male dancer of the 1948-1949 season.
With a ready wit and mischievous sense of humor, Danielian also excelled in demi-caractère roles such as Harlequin in Le Carnaval, the Blackamoor in Night Shadow, the First Cadet in Graduation Ball, and, especially, the Peruvian in Gaîté Parisienne. After Léonide Massine left the Ballet Russe de Monte Carlo in 1943, Danielian inherited the role of the excited Peruvian tourist and became closely identified with it. Over time he altered the original choreography to suit his personal style and invented new mannerisms for comic effect, virtually re-creating the character. He was much admired in the role and was said by many to have exceeded the characterization of the originator.
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