Lee Wen
| Lee Wen (李文) | |
|---|---|
| Born | 1957 |
| Nationality | Singapore |
| Education |
Lasalle-SIA College of the Arts City of London Polytechnic |
| Known for | Performance art |
| Movement | Contemporary art |
| Awards | 2005: Cultural Medallion (Visual Art) |
Lee Wen (Chinese: 李文; pinyin: Lǐ Wén) is a Singaporean performance artist on social identity themes, and best known for his Yellow Man performances. Painting his own body with bright yellow poster paint, he expresses an exaggerated symbol of his ethnic identity as a citizen of Singapore. He is also a member of The Artists Village (TAV), and part of the Black Market performance collective.
Lee Wen studied in the now defunct Kim Keat Primary School and Raffles Institution. After finishing his A levels, he worked as a logistics officer, a computer operator and a bank officer.
In 1988 Lee Wen left behind his banking career to enrol at the Lasalle-SIA College of the Arts at the age of 30. He expressed himself with both painting and various non-traditional media, having influenced by performance artist Tang Da Wu and other experimental artists Amanda Heng and Vincent Leow from The Artists Village. In 1990, Lee went on to study at the City of London Polytechnic, and it was then that Lee had found his true calling as a performance artist. He went on to develop the Yellow Man persona which gained him his first recognition in the arts community. This progressed to the Journey of a Yellow Man series of works involving mixed-media, installation, performances and paintings. Lee Wen's work quickly gained international recognition since 1993, having performed and showcasing his artistic expressions in many international locations such as the Kwang Ju Biennale, at the 3rd Asia Pacific Triennial in Australia in 1999.
In 2003, Lee spearheaded the Future of Imagination international performance art event at The Substation, and at the Sculpture Square in 2004 with foreign performance artists such as Alastair MacLennan from Northern Ireland, Finnish artist Irma Optimist and Marilyn Arsem from USA. Lee saw the value of having an annual gathering of international artists here in Singapore, to share a continuing interest in the cultural constructs of identity in the global situation and current trends of contemporary art practice, through live performances and discussion forms.
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