Latin house
| Latin house | |
|---|---|
| Stylistic origins | |
| Cultural origins | Late 1980s, New York City and Chicago |
| Typical instruments | |
Latin house is an electronic dance music subgenre that mixes together house and Latin American music, such as that of Puerto Rican, Cuban, Dominican, and African origin.
In the second half of the 1980s, some of the pioneers of house music of Latin-American descent gave birth to this genre by releasing house records in Spanish. Early examples include Jesse Velez "Girls Out On The Floor" 1985, "Amor Puertorriqueño" by Raz on DJ International and "Break 4 Love" by Raze. One influential artist was the Puerto Rican singer Liz Torres, who released Spanish versions of her songs "Can't Get Enough", "Mama's Boy" and "Payback Is A Bitch".
In the 1990s a new generation of producers and labels broke into the market. Nervous Records released "Quiero Saber" by the Latin Kings, produced by Todd Terry, as well as "Everything's All Right" by Arts of Rhythm and "Philly The Blunt" by Trinidad. Strictly Rhythm employed producer Armand van Helden, who released "Pirates of The Caribbean Vol. III". Songs from the same label include DJ Dero's "Sube", The Tribe's "Go-san-do", R.A.W.'s "Asuca" produced by Erick Morillo, Rare Arts' "Boricua Posse", Escandalo's "Mas Buena" and Fiasco's "Las Mujeres" produced by Norty Cotto, Latin Kaos' "El Bandolero" and "Muevete Mama" and "Sugar Cane" by Afro-Cube.
During the same period (1991 -1992), Chicago native Pizarro produced "The Five Tones", "New Perspective EP", "Plastica", "Caliente" and "Perdoname". Other producers like Ralphi Rosario and Masters at Work created Latin house classics, for instance Ralphie's production "Da-Me-Lo" and his remix of Albita's "No se parece a nada" as well as "Sul Chu Cha" by Rosabel, while Louie Vega and Kenny Gonzales remix "Sume Sigh Say" by House of Gypsies (Todd Terry), and a remarkable Latin house hit "Robi Rob's Boriqua Anthem" by C&C Music Factory.
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