"La Isla Bonita" (English: The Beautiful Island) is a song by American singer Madonna from her third studio album True Blue (1986). It was released as the album's final single on February 25, 1987 by Sire Records. The instrumental version of the song was first offered to Michael Jackson before Madonna both accepted it and wrote the lyrics and melody. "La Isla Bonita" is noted for being the first Madonna song to contain Latino influences, with arrangements of Cuban drums and Spanish guitar, maracas, harmonicas and a mix of synthesized and real drumming. The lyrics of the song tell about a beautiful island and according to Madonna, was a tribute to the beauty of the Latin people.

Following its release, "La Isla Bonita" received a positive reception from critics. It also achieved worldwide popularity, topping the record charts in countries such as Austria, Canada, France, Germany and Switzerland. It became Madonna's fourth number-one single in the United Kingdom, giving her the record for most number-one singles for a female artist. In the United States, it reached number four on the Billboard Hot 100 chart.

In the accompanying music video, Madonna portrayed two opposite characters – a young, pious Catholic woman and a glamorous, passionate Latina. The Latin style and the flamenco red dress she wore became a trend later. The song is one of the most performed live songs by Madonna, appearing in six of her world tours, the most recent being on the Rebel Heart Tour (2015–16). Madonna has regularly performed the song in its Spanish form, sometimes with tribal or folk songs and remixes to accompany it. The song has been covered by a number of artists including Mexican recording artist Byanka (1988) and French recording artist Alizée for her album Psychédélices (2008).

"La Isla Bonita" was written by Madonna, Patrick Leonard and Bruce Gaitsch. The song was previously written as a lament for the town of San Pedro in the island of Ambergris Caye in Belize and was offered to Michael Jackson for his Bad album, who, according to Gaitsch, turned it down. While working with Leonard on the True Blue album, Madonna accepted it in Jackson's place and wrote the song's lyrics and melody, thus earning herself a co-writing credit.

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