Kyun Tum Say Itna Pyar Hai
| Kyun Tum Say Itna Pyar Hai | |
|---|---|
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| Directed by | Ajab Gul |
| Produced by |
Saqib Khan Ajab Gul |
| Written by | Ajab Gul |
| Starring |
Arbaaz Khan Veena Malik Ajab Gul Babrak Shah Nadeem |
| Music by | Ajab Gul |
| Cinematography | Waqar Bukhari |
| Edited by | Qurbaan |
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Release date
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| Country | Pakistan |
| Language | Urdu |
Kyun Tum Say Itna Pyar Hai is a Pakistani Urdu film starring Arbaaz Khan Veena Malik, Babrak Shah, Ajab Gul, and Sana Nawaz. The makers of this movie are professional people who have made their mark from their previous project Khoey Ho Tum Kahan in the film industry both within Pakistan and abroad. This film is directed by Ajab Gul who has a long affiliation with TV, stage and film industry in Pakistan. The technical aspect of this film is also very different from previous Lollywood movies.
The film starts as a clash between good and evil, a landscape that marks cinema across the world. The pursuits are represented in the film by two individuals who are deeply committed to their way of life. The characters are brilliantly rendered by versatile artists Nadeem and Talat Hussain, with quiet assertiveness by the former and boisterousness and exuberance by the latter.
The families of the two, a former judge (Nadeem) and ex-chief minister (Talat Hussain) are interlinked by nuptials, but do not serve as bonds. Talat is a power-hungry politician who stops at nothing — bribery, killings, abductions — to achieve his goals. He is under investigation and the man in charge of the case is Nadeem’s character, the traditional upstanding citizen and an upholder of values and justice.
The only blemish in Nadeem’s life is two wives, one being Ajab Gul’s mother with whom he has a strained relationship. Police officer Babrak Shah by the other wife is acknowledged as his son and so the stepbrothers have a strong dislike for each other. They also share the love of the same girl (Talat’s daughter played by Veena Malik) whose marriage to Babrak deepens the enmity and a sense of deprivation in Gul.
The first half comprises well-knit, absorbing sequences that keep viewers on the edge of their seats, not only because of twists and turns in the narrative but also by forceful portrayals of characters by the two veteran actors. Talat Hussain adds another laurel to his credentials by effectively casting off the image of being a single dimension artist with pragmatically delivered ruthless villainy.
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