Kosmische Musik
| Krautrock | |
|---|---|
| Etymology | Derives from "kraut" |
| Other names | Kosmische Musik |
| Stylistic origins | |
| Cultural origins | Late 1960s – early 1970s, West Germany |
| Typical instruments | |
| Derivative forms | |
| Regional scenes | |
| Other topics | |
Krautrock (sometimes called "kosmische Musik", German: "cosmic music") is a broad genre of experimental rock that developed in Germany in the late 1960s. The term "krautrock" was originated by English-speaking music journalists as a humorous name for a diverse range of German bands whose music drew from sources such as psychedelic rock, the avant-garde, electronic music, funk, minimalism, jazz improvisation, and world music styles. Largely divorced from the traditional blues and rock and roll influences of British and American rock music up to that time, the period contributed to the evolution of electronic music and ambient music as well as the birth of post-punk, alternative rock and New Age music. Important acts of the scene include Can, Kraftwerk, Neu!, Ash Ra Tempel, Tangerine Dream, Popol Vuh, and Faust.
Until around 1973, the word "Deutsch-Rock" ("German Rock") was used to refer to the new groups from West Germany. "Krautrock" was originally a humorous term coined in the early 1970s by British disc jockey John Peel or by the UK music newspaper Melody Maker, in which experimental German bands found an early and enthusiastic following, and ironically retained by its practitioners. The term derives from the ethnic slur "kraut", and its use by the music press was inspired by a track from Amon Düül's Psychedelic Underground titled "Mama Düül und Ihre Sauerkrautband Spielt Auf" ('Mama Düül and her Sauerkrautband Strike Up'). According to author Ulrich Adelt, it should be noted that "kraut" in German can refer to herbs, weeds, and drugs. Other names thrown around by the British music press were "Teutonic rock" and "Götterdämmer rock".
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