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Kick (INXS album)

Kick
INXS kick.jpg
Studio album by INXS
Released 19 October 1987
Recorded 1986–1987 at Rhinoceros Recordings, Sydney, Australia, and Studio De La Grande Armée, Paris, France
Genre Alternative rock, pop rock, new wave
Length 39:54
Language English
Label WEA, Atlantic, Mercury/PolyGram
Producer Chris Thomas
INXS chronology
Listen Like Thieves
(1985)
Kick
(1987)
X
(1990)
Singles from Kick
  1. "Need You Tonight"/"Mediate"
    Released: 23 September 1987
  2. "Devil Inside"
    Released: 13 February 1988
  3. "New Sensation"/"Guns in the Sky"
    Released: 31 March 1988
  4. "Never Tear Us Apart"
    Released: 8 August 1988
  5. "Mystify"/"Kick"
    Released: 15 March 1989
Professional ratings
Review scores
Source Rating
AllMusic 4.5/5 stars
Christgau's Record Guide B
Encyclopedia of Popular Music 4/5 stars
Los Angeles Times 2.5/4 stars
Q 4/5 stars
The Rolling Stone Album Guide 3.5/5 stars

Kick is the sixth studio album by the Australian rock band INXS, released in 1987 by WEA in Australia, Atlantic Records in the United States and Phonogram Records in the United Kingdom on Audio CD, Compact Cassette and Gramophone record. As the band's most successful studio album, it is certified six times platinum by the RIAA, and spawned four US top 10 singles, "New Sensation", "Never Tear Us Apart", "Devil Inside" and "Need You Tonight", the last of which reached the top of the Billboard singles charts. At the 1988 MTV Video Music Awards, the band took home five Moonmen for the "Need You Tonight"/"Mediate" video.

The album was produced by Chris Thomas and recorded by David Nicholas in Sydney, Australia, and in Paris, France. The album was mixed by Bob Clearmountain at Air Studios in London.

After the success of their fifth studio album, Listen Like Thieves (1985), and its second single "What You Need" (1986), INXS knew their new material would have to be even better, according to guitarist Kirk Pengilly, "We wanted an album where all the songs were possible singles". They recorded Kick in Sydney and Paris, it was produced by Chris Thomas again, but Atlantic Records was not happy with the result, as manager Chris Murphy remembers:


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