Julius Reisinger

Vaclav (Wentsel), or Jules or Julius Wentsel Reisinger (1828 – 1892) is paradoxical figure in the history of ballet. This prolific choreographer, author of more than twenty works on various European stages, directed the Moscow company of the Bolshoi Theatre. He is linked with two memorable events: the first stage production of Tchaikovsky's ballet Swan Lake and the production of the first ballet performance for the opening of the Prague National Theatre in 1884. His work on Swan Lake was considered unsuccessful by the critics of the day but not necessarily unsuccessful by the theatre-going public—after all, Reisinger's original production of Swan Lake was kept in the active repertoire of the Bolshoi Theatre for seven years and was performed over thirty times during a period when other ballets could not sustain even twenty performances. In fact, the production was not pulled until the scenery and costumes were worn and threadbare. Much of its popularity was assumably due to its beautiful musical score which was critically acclaimed even though the choreography was not.

Reisinger was born in February 1828 in Prague of a native Czech family. He began his professional life as a dancer in the corps de ballet, rising to the position of leading soloist. In 1850, he was the Czech partner of the famous dancer Lucille Grahn in La Esmeralda (as Phoebus) and Giselle (as Hilarion). He also had success in the part of Diavolino in Jules Perrot's ballet Catarina, ou La Fille du Bandit. In short, the young dancer mastered the romantic repertoire and was familiar with the new ballet productions, one more fact in favour of Reisinger's erudition.

In 1852, he succeeded in securing an eight-year engagement on the German and Austrian stages. In 1860 he returned to his native Prague to the Nove Mesto Theatre, already in the position of choreographer. This was the first time a Czech theatre was actually headed by Czech choreographer.

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