Joe’s Pub
| Address | 425 Lafayette Street New York City, NY 10003-7021 |
|---|---|
| Location | East Village, Lower Manhattan |
| Owner | The Public Theater |
| Capacity | 184 |
| Construction | |
| Opened | October 16, 1998 |
| Construction cost | $2.35 million |
| Website | |
| www |
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Coordinates: 40°43′45″N 73°59′30″W / 40.729259°N 73.991772°W
Joe's Pub, one of the six performance spaces within The Public Theater, is a music venue and restaurant that hosts live performances across genres and arts, ranging from cabaret to modern dance to world music. Joe's Pub is located at 425 Lafayette Street near Astor Place in Manhattan, New York City. It is named after Joseph Papp, the theatrical producer who established the New York Shakespeare Festival, The Public Theater and the free Shakespeare in the Park program in Central Park.
The venue is notable for being where Amy Winehouse and Adele made their U.S. headlining concert debuts. In 2013, in its 15th anniversary year, the Pub was declared one of Rolling Stone Magazine's 10 Best Clubs in America.
Joe's Pub opened on October 16, 1998 with an inaugural concert performed by Carl Hancock Rux. Soon after, a reviewer for The New York Times wrote "You enter through the side door of the Joseph Papp Public Theater. Farther south on Lafayette Street, revolving doors admit patrons to the Public's various theatrical spaces, but here, on the outskirts, an iron-fenced portal offers entree to the theater's new nightclub." He continued, "But Joe's Pub is a much less lofty enterprise, carved as it is from ground-floor back-office space at the theater." The $2.35 million club is the result, in part, of a construction and renovation grant to the Public from city capital funds that includes refurbishment of the Delacorte Theater in Central Park. There were some doubters when the club opened in October who wondered whether the Public Theater could make a theater-night life alliance work. Six months later, according to George C. Wolfe, the then-producer of the Public, Joe's Pub "is actually doing better than I thought it would." He continued to say, "The club's programming is idiosyncratic: from ethnic music ensembles to spoken-word artists to the most promising young musical-theater composers and performers on the contemporary scene, the changing roster has generated an after-hours theatricality all its own."
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