The Delacorte Theater where Shakespeare in the Park is operated.
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New York City United States |
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Coordinates | 40°46′48.36″N 73°58′7.56″W / 40.7801000°N 73.9687667°WCoordinates: 40°46′48.36″N 73°58′7.56″W / 40.7801000°N 73.9687667°W |
Operator | Public Theater |
Capacity | 1,872 |
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Shakespeare in the Park (or Free Shakespeare in the Park) is a theatrical program that stages productions of Shakespearean plays at an open theater in New York City's Central Park. The theater and the productions are managed by the Public Theater and tickets are distributed free of charge on the day of the performance. Originally branded as the New York Shakespeare Festival under the direction of Joseph Papp, the institution was renamed in 2002 as part of a larger reorganization by the Public Theater.
The festival was originally conceived by director-producer Joseph Papp in 1954. Papp began with a series of Shakespeare workshops, then moved on to free productions on the Lower East Side. Eventually, the plays moved to a lawn in front of Turtle Pond in Central Park. In 1959, parks commissioner Robert Moses demanded that Papp and his company charge a fee for the performances to cover the cost of "grass erosion." A court battle ensued. Papp continued to fight Moses, winning his enduring respect and the quote "well, let's build the bastard a theater." Following this, Moses requested funds from the city for the construction of an amphitheater in the park. In 1961, the Delacorte Theater was built. The first performance held in the theater in 1962 was Shakespeare's The Merchant of Venice, starring George C. Scott and James Earl Jones.
The Delacorte Theater is an open-air amphitheater located on the southwest corner of the Great Lawn in Central Park, closest to the entrance at 81st Street and Central Park West. It was built in 1961 and named for George T. Delacorte, Jr., who donated money for its creation. Belvedere Castle and Turtle Pond provide a backdrop for the shows at the Delacorte. As shows at the Delacorte begin in the early evening, shows usually start in daylight; as the play rolls on, the sun sets and the audience is drawn into the illuminated action on the stage. Since 1962 the Public has had the privilege of its exclusive use.