Jeanny Canby
| Jeanny Canby | |
|---|---|
| Born | Jeanny Esther Vorys July 14, 1929 Columbus, Ohio |
| Died | November 18, 2007 (aged 79) Haverford, Pennsylvania |
| Nationality | American |
| Fields | Archaeology of the Ancient Near East |
| Education | Bryn Mawr College; University of Chicago |
| Known for | Restoration of Ur-Nammu stele at the Penn Museum |
Jeanny Vorys Canby (July 14, 1929 – November 18, 2007) was an American archaeologist and scholar of the Ancient Near East. She is best known for her restoration of the Ur-Nammu stele.
Jeanny Esther Vorys was born in Columbus, Ohio. Her father, John Martin Vorys, was a Congressman. She studied at Bryn Mawr College, obtained a post-graduate degree in archaeology from the University of Chicago, and returned to Bryn Mawr for her doctoral degree.
In 1959, she married Thomas Yellott Canby, a science editor and writer for the National Geographic magazine. They had two sons; they later divorced.
Following her doctorate, Canby joined an excavation at Boğazköy in Turkey, an ancient Hittite site. She studied falconry and determined that this was a recreational pursuit among the Hittites.
Canby worked as a curator at the Ancient Near East wing of the Walters Art Gallery in Baltimore for seventeen years. She lectured at Johns Hopkins University, and was a visiting professor at Columbia University in New York. Her main focus continued to be the conservation and research of archaeological items.
Following her retirement, Canby became a volunteer at the Penn Museum in Philadelphia. Her study of a nine-foot tall pillar, the Ur-Nammu stele, revealed that its restoration was faulty. Its reconstruction in 1925 had been supervised remotely by Leonard Woolley, but having been based on imprecise photographs, was wrongly assembled. Canby found that several parts of the stele had remained unincorporated, including an adult hand on the shoulder of a god, with tiny feet in its lap. By removing the plaster that filled missing parts of the stele, and by putting back pieces she found in the museum's storerooms, she was able to determine that the feet belonged not to a baby, but a woman embracing the deity. She called it an amazingly intimate scene for a royal monument.
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