Jacqueline de Jong (born 1939) is a Dutch painter, sculptor and graphic artist. She was born in the Dutch town of Hengelo to Jewish parents. Faced with the German invasion, they went into hiding. After an abortive escape attempt to England, her father Hans remained in Amsterdam while her mother and she made for Switzerland, accompanied by the Dutch painter Max van Dam. At the border they were captured by the French police, but just as they were about to be deported to the Drancy internment camp, they were rescued by the resistance, who helped them over the border. When they returned to the Netherlands following the war, Jacqueline could not speak Dutch. From 1947 on she went to school in Hengelo and Enschede (Gemeentelijk Lyceum).
In 1957 she went to Paris and was employed in the boutique at Christian Dior in the meantime studying French and drama. After leaving for London spring 1958 studying drama at the Guildhall School of Music and Drama, she returned to Amsterdam September 1958-1961 and was employed by the Stedelijk Museum, the home of Modern Art there. She visited London in 1959 where she met Danish painter Asger Jorn, the founder of the CoBrA group, They became companions. He was forty-five years old, compared to her twenty years.
She joined the Situationist International in 1960, and started to participate in conferences and the Central committee. After the expulsion of Constant Nieuwenhuys and his group, she became the Dutch Section of the organization. She did not accept the way the German section, also known as Gruppe SPUR, had been expelled and resigned. The cleft between the Debordists and the Second Situationist International grew, however she refused to join either faction, instead stating that people should act as situationists. Between 1962 and 1968 she edited and published The Situationist Times involving Gaston Bachelard, Roberto Matta, Wifredo Lam and Jacques Prévert in this project. In 1968 she was in Paris, printing and distributing revolutionary posters.