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Italian jazz

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Italian jazz refers to jazz music that is played by Italian musicians, or to jazz music that is in some way connected to Italy.

James Reese Europe's military concerts in France in World War I in 1919 are claimed to have introduced Europeans to a new, "syncopated" music from America. Yet, Italians had an even earlier taste of a new music from across the Atlantic when a group of "Creole" singers and dancers, billed as the "creators of the cakewalk" performed at the Eden Theater in Milan in 1904. The first real Italian jazz orchestras and ensembles, however, were formed during the 1930s by musicians such as Arturo Agazzi with his Syncopated Orchestra and Carlo Andreis with his Gli A.C. (CETRA, 1938), enjoying immediate success. In spite of the anti-American cultural policies of the Fascist regime during the 1930s, American jazz remained popular. (Even Romano Mussolini, Benito's son, was a great jazz fan and then prominent jazz pianist.) Also, in 1935, American jazz great Louis Armstrong toured Italy with great success.

In the immediate post-war years jazz took off in Italy. All American post-war jazz styles, from be-bop to Free Jazz and Fusion have their equivalents in Italy. The most gifted exponents of jazz music in this period (from the 1940s to 1960s) are musicians like Gorni Kramer, Giorgio Gaslini, Lelio Luttazzi and Franco Cerri, the composer Bruno Martino and great singers like Natalino Otto and Jula de Palma. The universality of Italian culture ensured that jazz clubs would spring up throughout the peninsula, that all radio and then television studios would have jazz-based "house-bands," that Italian musicians would then start nurturing a "home grown" kind of jazz, based on European song forms, classical composition techniques and folk music (for example, in Sicily, where Enzo Rao and his group Shamal have added native Sicilian and Arab influences to American jazz).


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