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Israeli rock


Israeli rock (Hebrew: רוק ישראלי‎‎, Rok Yisra'eli) is rock music created by Israeli bands and singers.

Israel's initial attitude toward rock music was extremely negative. Israeli musicians of the time believed that it was a trend that would soon pass. The first Israeli rock bands began performing in the mid-1960s in nightclubs and discos, first in Ramla and later on HaMasger Street in Tel Aviv. These bands mainly performed cover versions of popular rock songs by bands like The Beatles and The Shadows. Rock culture, in the social and political sense, was nowhere in sight. Bands that stood out in the first wave of Israeli rock were The Lions, The Churchills, The Fat and the Thins, The Styles, The Electric Stage, The Seventh Radiance, The Goldstars, The Sing-Sing, The Blue Stars and The Spiders.

In the euphoria that followed the Six-Day War, the performing groups of the Israel Defense Forces rose in status with a steady stream of songs about victory, bereavement and loss. Rock became part of the alternative music scene that was played mostly in clubs such as "Hakarish" and "Calypso", formerly known as drug dens.

Near the end of the decade rock and roll gained legitimacy. Western musicians arrived in Israel, and influences of the pop revolution permeated local culture. Some of the local bands added English musicians to their ensemble, creating several new bands that were based on the original rhythm bands. In the second wave of rhythm bands, three main bands led the local rock scene. The first was The Churchills, which consisted of five musicians including Canadian singer Stan Solomon, and British guitarist Robb Huxley. These were the most adventurous of the Israeli rock bands; they played innovative combinations of psychedelic rock mixed with Mediterranean Arab music. In 1970 the Israeli composer Noam Sheriff initiated a concert played by the Israel Philharmonic Orchestra and The Churchills, and their shared work with Arik Einstein, Oshik Levi and other artists from the mainstream Israeli pop music scene granted the Israeli rock scene a public stamp of approval. The second band, The Lions, was considered to be the first Israeli band to experiment with reggae music.


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