IATSE
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| Full name | International Alliance of Theatrical Stage Employees, Moving Picture Technicians, Artists and Allied Crafts of the United States, Its Territories and Canada |
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| Founded | July 17, 1893 |
| Members | 130K (2016) |
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| Office location | New York City |
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| Website | iatse.net |
The International Alliance of Theatrical Stage Employees or IATSE, (full name: International Alliance of Theatrical Stage Employees, Moving Picture Technicians, Artists and Allied Crafts of the United States, Its Territories and Canada) is a labor union representing over 130,000 technicians, artisans and craftspersons in the entertainment industry, including live theatre, motion picture and television production, and trade shows. It was awarded Tony Honors for Excellence in Theatre in 1993.
The International Alliance of Theatrical Stage Employees, Moving Picture Technicians, Artists and Allied Crafts of the United States, Its Territories and Canada was founded in 1893 when representatives of stagehands working in eleven cities met in New York and pledged to support each other's efforts to establish fair wages and working conditions for their members. The IATSE has evolved since then to embrace the development of new entertainment mediums, craft expansion, technological innovation and geographic growth.
Today, IATSE members work in all forms of live theater, motion picture and television production, trade shows and exhibitions, television broadcasting, and concerts as well as the equipment and construction shops that support all these areas of the entertainment industry. The IA represents virtually all the behind the scenes workers in crafts ranging from motion picture animator to theater usher.
During a period when private sector union membership has been in sharp decline the IATSE has continued to grow. Since 1993 the IA's membership has increased from 74,344 to 130,000 which it attributes to its willingness to adapt its structure to protect traditional jurisdiction and accommodate new crafts.
In 1886, Union members went on strike in New York City under the Theatrical Protective Union of New York. After producers filled the positions of strikers with less skilled strikebreakers, actors refused to work due to sets falling apart. With the support of the actors behind the strikers, they succeeded in most of their requests.
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