Professional ratings
Aggregate scores
Source	Rating
Metacritic	75/100
Review scores
Source	Rating
AllMusic
The A.V. Club	C+
The Daily Telegraph
Entertainment Weekly	B+
The Guardian
MSN Music	B
NME	7/10
Pitchfork Media	7.2/10
Rolling Stone
Spin	6/10

Humbug is the third studio album by English indie rock band Arctic Monkeys, first released on 19 August 2009 by Domino Records. The band started to write songs for the album towards the end of summer 2008, and finished it entirely in spring 2009.

Like their last release, Favourite Worst Nightmare (2007), Humbug was released first in Japan, on 19 August 2009, followed by Australia, Brazil, Ireland and Germany, on 21 August 2009. It was then released in the UK on 24 August 2009, in the US the following day and in Greece on 31 August. The release preceded the band's headline performances at the Reading and Leeds Festivals at the end of that week.

The band started writing songs for the album towards the end of summer 2008, with lead singer Alex Turner suggesting that the inspiration for the first few guitar riffs came while the band were attending the Latitude Festival in Suffolk. Tracks were written through the end of 2008, with recording taking place around the band's touring schedule towards late 2008 and early 2009.

Co-produced by Josh Homme, the album was wholly recorded in the United States. Homme-produced tracks recorded in Los Angeles and the Mojave Desert alongside New York City recordings produced – as per the second album – by James Ford, who also produced the album The Age of the Understatement by Turner's side-project The Last Shadow Puppets.

While recording the album, the band incorporated a wide variety of instruments that they had not used previously. Baritone and slide guitars can be heard throughout the album, as well as new guitar effects. The presence of a variety of keyboards on almost every track was something new for the band, with lead singer Alex Turner recording all of them himself with the exception of the album's singles, which were handled by session and touring keyboardist John Ashton. The presence of new percussion instruments was also evident, as the band used xylophones, glockenspiels and shakers.

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