Horatio Walker

Horatio Walker
Horatio Walker, undated, photographed by M.O. Hammond
Born	12 May 1858 Listowel, Ontario, Canada
Died	September 27, 1938(1938-09-27) (aged 80) Sainte Pétronille, Quebec, Canada
Nationality	Canadian
Known for	Painting
Notable work	Oxen Drinking (1899) and Ploughing—The First Gleam at Dawn (1900)
Movement	American Barbizon School

Horatio Walker (May 12, 1858 – September 27, 1938) was a respected and commercially successful Canadian painter. He worked in oils and watercolors, often depicting scenes of rural life in Canada. He was highly influenced by the French Barbizon school of painting.

Walker was born in 1858 to parents Thomas and Jeanne Maurice Walker. Thomas Walker emigrated in 1856 from Yorkshire, England, to Listowel, Ontario, with his wife of French and English heritage. Having some wealth, Thomas purchased land for lumber in Midwestern Ontario and Horatio was raised in relative comfort. His interest in art may originate from his father who crafted small figures as a hobby, and both his father and the local school teacher encouraged drawing as a pastime.

In 1870, on Walker's 12th birthday, his father brought him to Quebec City, Quebec, for the first time. His father made occasional business trips to the city as part of his timber business. During this sojourn, they visited the Île d'Orléans, in search of pine timber. Walker made subsequent visits to Quebec City during the following years. His formal schooling ended at the Listowel Public School in 1872; he never went on to pursue formal academic training in art. At the age of 15, Walker moved to Toronto, Ontario to apprentice with the photographic firm Notman and Fraser. It was a fortunate opportunity, as several successful artists also worked there; Walker learned watercolour from Robert Gagnon, miniature portrait painting from John Fraser, and painting from Lucius O'Brien and Henri Perré.

Walker was only at the firm for three years until he moved to the United States of America for uncertain reasons. Writing in 1928, Hector Charlesworth suggested that Walker was “chucked down the stairs” and fired for quarrelling with a family relative. However, it is more likely that Walker travelled to Philadelphia for the American Centennial in 1876, an exhibition where Notman and Fraser won the international award, which privileged the firm with exclusive photographic rights for the celebrations. Ultimately, Walker may have decided to stay and pursue painting.