Horace Jackson
| Horace Jackson | |
|---|---|
| Born |
Horace Atherton Jackson March 29, 1898 Either East St. Louis or Venice Illinois, United States |
| Died | January 26, 1952 (aged 53) Los Angeles, California, United States |
| Occupation | Screenwriter, set designer |
| Years active | 1923–1941 |
| Spouse(s) | Gertrude Jackson |
Horace Jackson (March 29, 1898 – January 26, 1952) was an American Academy Award-nominated filmmaker of the silent and sound film eras. More well known for his screenwriting efforts, Jackson also worked as a set designer early in his career.
Born Horace Atherton Jackson on March 29, 1898 to Harry S. Jackson and Lena Atherton Jackson in Illinois. There are conflicting sources as to whether he was born in East St. Louis or Venice, Illinois, both suburbs of St. Louis, Missouri. His father died when he was five, and several years later his mother moved him and his sister, Helen, to the Boyle Heights area of Los Angeles in approximately 1910. Prior to working in films, Jackson was an architect.
Jackson broke into the film industry dressing sets on the 1923 silent film, The Unknown Purple. Within months, he had moved up to the title of either "art director" or "set director". He would be the co-set director on the 1925 classic, Ben-Hur. He continued in the set design arena during the remainder of silent era, however with the advent of talking pictures Jackson would move into the screenwriting profession. His first effort was the screenplay adaptation of Benjamin Glazer and Melchior Lengyel's story for 1929's Strange Cargo, directed by Arthur Gregor.
During 1929 through the beginning of the 1940s, Jackson would be the screenwriter or story creator on almost 30 films. Some of his better known films are: Sin Takes a Holiday in 1930; 1937's Breakfast for Two, starring Barbara Stanwyck; and his final two films in 1941, Model Wife (starring Joan Blondell and Dick Powell), and Bedtime Story with Fredric March and Loretta Young. Holiday, Jackson's adaptation of Philip Barry's 1928 play of the same name, would be honored with an Academy Award nomination at the 4th Academy Awards in 1932, however, he lost to the big winner of those awards, Cimarron (written by Howard Estabrook).
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