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Heaven Tonight

Heaven Tonight
Cheap Trick Heaven Tonight.jpg
Studio album by Cheap Trick
Released May 1978 (1978-05)
Recorded Record Plant and Sound City Studios, Los Angeles, California, 1977–1978
Genre Hard rock, power pop, psychedelic rock
Length 43:42
Label Epic
Producer Tom Werman
Cheap Trick chronology
In Color
(1977)
Heaven Tonight
(1978)
Cheap Trick at Budokan
(1979)
Singles from Heaven Tonight
  1. "Surrender / Auf Wiedersehen"
    Released: 1978
  2. "California Man / Stiff Competition"
    Released: 1978
  3. "California Man / I Want You to Want Me (live from Cheap Trick at Budokan)"
    Released: 1978
Professional ratings
Review scores
Source Rating
Allmusic 5/5 stars
Rolling Stone (favorable)
The Rolling Stone Album Guide 4/5 stars
The Village Voice B+

Heaven Tonight is Cheap Trick's third studio album, released in 1978. The album was remastered and released with bonus tracks on Sony's Epic/Legacy imprint in 1998. The album cover features lead singer Robin Zander and bassist Tom Petersson.

Heaven Tonight is considered Cheap Trick's best album by many fans and critics. While their debut album Cheap Trick showed the band's darker, rawer side and In Color explored a lighter, more pop-oriented persona, Heaven Tonight combined both elements to produce a hook-filled pop-rock album with an attitude. Popular songs from this album include the anthemic "Surrender", "Auf Wiedersehen", the title track, and a cover of The Move's "California Man".

Heaven Tonight is also known as the first album ever recorded with a 12-string electric bass.

This was the second Cheap Trick album to feature Robin Zander and Tom Petersson on the front cover and Bun E. Carlos and Rick Nielsen on the back. While the front cover has Zander and Petersson standing in front of a nondescript background, the back cover portion (part of a continuous, wrap-around shot on the original LP) reveals that they are standing inside a public restroom where Nielsen is brushing his teeth and Carlos is fixing his tie in the mirror. Nielsen has a cassette copy of the band's previous album, In Color sticking out of his back pocket. At the suggestion of the record company, the album was originally to be called American Standard; the cover photography was intended to play upon the secondary association with the well-known manufacturer of plumbing fixtures. The band were less pleased with the idea and opted for the release title, but the cover design remained.


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