In Color | ||||
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Studio album by Cheap Trick | ||||
Released | September 1977 | |||
Recorded | Kendun Recorders, Los Angeles, 1977 | |||
Genre | Rock, hard rock, power pop | |||
Length | 31:50 | |||
Label | Epic | |||
Producer | Tom Werman | |||
Cheap Trick chronology | ||||
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Singles from In Color | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic | |
Robert Christgau | B+ |
Rolling Stone | (positive) |
The Rolling Stone Album Guide |
In Color is the second studio album by Cheap Trick, released in 1977. It was produced by Tom Werman.
This album is considered a classic of the power pop genre as well as one of the best rock albums ever recorded. The album was ranked No. 4 on Shake Some Action: The Ultimate Power Pop Guide. In 2003, the album was also ranked number 443 on Rolling Stone magazine's list of the 500 greatest albums of all time.
In Color, as opposed to the band's self-titled debut, features a more polished production in the hopes of making a commercial impact. While the band members complained that the album lost its power through Tom Werman's overproduction, In Color does show the band's more melodic side that was partially lost on the debut.
The album made the band superstars in Japan, where "I Want You to Want Me" and "Clock Strikes Ten" were hit singles, with the latter hitting #1 on the Japanese charts.
Five of the ten tracks on In Color were later released in live form on Cheap Trick's classic live album Cheap Trick at Budokan ("Hello There", "Big Eyes", "I Want You to Want Me", "Clock Strikes Ten" and "Come On, Come On").
In Color's front cover has a color photo of Zander and Petersson sitting on motorcycles with the words "Cheap Trick, In Color." across the top. Its back cover has an upside-down black-and-white photo of Carlos and Nielsen sitting on mopeds with the words "And In Black and White." across the top.
The In Color radio show which airs on Ireland's national broadcaster Raidió Teilifís Éireann RTÉ 2XM is named after the album.
In Color was re-recorded by the band in 1998 with producer Steve Albini. The band's intention was to record the album on their own terms and for the songs to sound the way that they had originally intended. However, the album was never officially completed or released, but it was leaked onto the internet along with a handful of other tracks recorded during the same session.