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Hawaiian architecture


Hawaiian architecture is a distinctive style of architectural arts developed and employed primarily in the Hawaiian Islands of the United States — buildings and various other structures indicative of the people of Hawaiʻi and the environment and culture in which they live. Though based on imported Western styles, unique Hawaiian traits make Hawaiian architectural styles stand alone against other styles. Hawaiian architecture reflects the history of the islands from antiquity through the kingdom era, from its territorial years to statehood and beyond.

The various styles through the history of Hawaiʻi are telling of the attitudes and the spirit of its people. Hawaiian architecture is said to tell the story of how indigenous native Hawaiians and their complex society in ancient times slowly evolved with the infusion of new styles from beyond its borders, from the early European traders, the visiting whalers and fur trappers from the Canadian wilderness, the missions of the New Englanders and French Catholics, the communes of the Latter-day Saints from Utah, the plantation laborer cultures from the Orient to the modern American metropolis that Honolulu is today.

Within the body of Hawaiian architecture are various subsets of styles; each are considered typical of particular historical periods. The earliest form of Hawaiian architecture originates from what is called ancient Hawaiʻi—designs employed in the construction of village shelters from the simple shacks of outcasts and slaves, huts for the fishermen and canoe builders along the beachfronts, the shelters of the working class makaʻainana, the elaborate and sacred heiau of kahuna and the palatial thatched homes on raised basalt foundation of the aliʻi. The way a simple grass shack was constructed in ancient Hawaiʻi was telling of who lived in a particular home. The patterns in which dried plants and lumber were fashioned together could identify caste, skill and trade, profession and wealth. Hawaiian architecture previous to the arrival of British explorer Captain James Cook used symbolism to identify religious value of the inhabitants of certain structures. Feather standards called kahili and koa adorned with kapa cloth and crossed at the entrance of certain homes called puloʻuloʻu indicated places of aliʻi (nobility caste). Kiʻi enclosed within basalt walls indicated the homes of kahuna (priestly caste).


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