Haunted (Beyoncé song)
| "Haunted" | ||||
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| Song by Beyoncé from the album Beyoncé | ||||
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| Length | 6:09 | |||
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| 14 tracks |
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"Haunted" is a song by American recording artist Beyoncé from her fifth studio album, Beyoncé (2013). It was written and produced by Beyoncé herself and Boots. Conceived by the latter following an infuriating meeting with a record label, the song was presented to Beyoncé who decided to record it following similar experiences in the music industry. The song was inspired by the works of English musician Aphex Twin and contains a stream of consciousness rap.
Musically, it consists of two parts titled "Ghost" and "Haunted". A predominantly dance-pop, hip hop and R&B song, it contains a minimalistic sound with keyboards, bass and percussion. Beyoncé raps the spoken word segment of "Ghost" with robotic and reverbed vocals. Lyrically, "Haunted" contains sexually explicit and frank lyrics talking about desire. Many music critics compared its sound with various artists and noted different influences and elements explored in its composition. Upon its release, the song was met with positive reviews, with critics praising its experimentalistic sound and the minimalistic approach.
Two accompanying music videos were filmed for both parts of the song and placed separately on the visual album. The clip for "Ghost" was directed by Pierre Debusschere while Jonas Åkerlund served as the director for the second part, "Haunted". The former visual shows various close-up shots of Beyoncé lip-syncing the lyrics, while the latter features her walking in the corridor of a big mansion meeting various actors seen inside the rooms. Critics compared the video of "Haunted" and the singer's look with works by Madonna, most notably with her song "Justify My Love" (1990). The song was performed live during the last European leg of The Mrs. Carter Show World Tour and at the On the Run Tour in 2014. Beyoncé also performed it at the 2014 MTV Video Music Awards as part of a medley consisting of songs from her fifth studio album.
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