Hans Coper

Hans Coper (8 April 1920 – 16 June 1981), was an influential German-born British studio potter. His work is often coupled with that of Lucie Rie due to their close association, even though their best known work differs dramatically, with Rie's being less sculptural, while Coper's was much more abstract, but also always functional. The latter point was noted by M. S. Thomas in his recent book "The Essential Potness." Coper always made functional vessels, principally containers for flowers (vases), fruit (bowls), candles (candle holders) including work for Coventry Cathedral and Sussex University meeting house. He made a small group of Figures in the fifties, which were not vessels and were never put on sale (see Tony Birks).

Coper was born in Chemnitz, Germany, and fled to Britain in 1939. He was interned as an enemy alien, and held in Canada for two years; on return to Britain in 1942, he served as a conscientious objector in the Non-Combatant Corps.

In 1946, with no previous experience in ceramics, he began working as an assistant in the studio of Lucie Rie. It is from this time you will find tea sets and cups and saucers made by both Rie and Coper. By the time he left in 1958 to establish his own studio at Digswell House in Hertfordshire, he was already well known as a potter in his own right, experimenting with much more abstract forms that were at the time considered very ahead of their time. Because of the success of his work, he went on to become a leading figure in the 20th century studio pottery movement. Throughout the 1960s he taught pottery at the Camberwell School of Art and the Royal College of Art. He died in Frome, Somerset in 1981 of amyotrophic lateral sclerosis.

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