Hélia Correia

Hélia Correia (born 1949) is a Portuguese novelist, playwright, poet and translator.

Correia was born in Lisbon in February 1949, and raised in Mafra, her mother's home town. Her father was an anti-fascist who was arrested before her birth by the Salazar regime.

At the University of Lisbon, she studied Romance Philology. During these years, she began publishing poetry in literary supplements of the time, such as the Juvenil do Diário de Lisboa under the aegis of Mário Castrim.

After a period working as a high school teacher, Hélia Correia undertook postgraduate studies in Classical Theatre.

Her literary career started in earnest in the 1981 with the publication of her debut work titled O Separar das Águas. She quickly achieved great commercial success and critical renown, with critics lauding her innovative writing which remained linked to the best literary traditions. They saw influences of Camilo Castelo Branco and Emily Brontë, as well as connections to ancient Greek drama.

Several of her novels, including O Número dos Vivos (1982) and Montedemo (1983), could be considered works of magical realism. Correia accepted this saying she could not ignore the importance of South American magical realism.

Some critics have noted that her earlier works were influenced by French Feminist thought. Maria Teresa Horta has described Correia's works as "visceral" and "primordial".

From the 1990s, she began to create theatrical works. She reinterpreted ancient Greek myths from the view point of female heroines, such as Antigone in Perdition, Helen of Troy in Hatred, and Medea in Boundless.

In 2001, her most popular book, Lillias Fraser, appeared, set between 1746 and 1762 and ranging across Scotland and Portugal, covering the earthquake of Lisbon. The book won the Portuguese PEN Club prize.

...
Wikipedia