Gertrude Kasebier

Gertrude Käsebier
Portrait by Adolf de Meyer, c. 1900.
Born	(1852-05-18)May 18, 1852 Des Moines, Iowa, U.S.
Died	October 12, 1934(1934-10-12) (aged 82) New York City, New York, U.S.
Signature

Gertrude Käsebier (May 18, 1852 – October 12, 1934) was one of the most influential American photographers of the early 20th century. She was known for her images of motherhood, her portraits of Native Americans and her promotion of photography as a career for women.

Käsebier was born Gertrude Stanton on 18 May 1852 in Fort Des Moines (now Des Moines). Her father, John W. Stanton, transported a saw mill to Golden, Colorado at the start of the Pike's Peak Gold Rush of 1859, and he prospered from the building boom that followed. In 1860 eight-year-old Stanton traveled with her mother and younger brother to join her father in Colorado. That same year her father was elected the first mayor of Golden, which was then the capital of the Colorado Territory.

After the sudden death of her father in 1864, the family moved to Brooklyn, New York, where her mother, Muncy Boone Stanton, opened a boarding house to support the family. From 1866-70 Stanton lived in Bethlehem, Pennsylvania with her maternal grandmother and attended the Bethlehem Female Seminary (later called Moravian College). Little else is known about her early years.

On her twenty-second birthday, in 1874, she married twenty-eight-year-old Eduard Käsebier, a financially comfortable and socially well-placed businessman in Brooklyn. The couple soon had three children, Frederick William (1875–?), Gertrude Elizabeth (1878–?) and Hermine Mathilde (1880–?). In 1884 they moved to a farm in New Durham, New Jersey, in order to provide a healthier place to raise their children.

Käsebier later wrote that she was miserable throughout most of her marriage. She said, "If my husband has gone to Heaven, I want to go to Hell. He was terrible...Nothing was ever good enough for him." At that time divorce was considered scandalous, and the two remained married while living separate lives after 1880. This unhappy situation would later serve as an inspiration for one of her most strikingly titled photographs – two constrained oxen, entitled Yoked and Muzzled – Marriage (c1915).

In spite of their differences, her husband supported her financially when she began to attend art school at the age of thirty-seven, a time when most women of her day were well-settled in their social positions. Käsebier never indicated what motivated her to study art, but she devoted herself to it wholeheartedly. Over the objections of her husband in 1889 she moved the family back to Brooklyn in order to attend the newly established Pratt Institute of Art and Design full-time. One of her teachers there was Arthur Wesley Dow, a highly influential artist and art educator. He would later help promote her career by writing about her work and by introducing her to other photographers and patrons.