Fuse (band)
| Fuse | |
|---|---|
| Origin |
Rockford, Illinois United States |
| Genres | Hard rock, psychedelic rock |
| Years active | 1967–1973 |
| Labels | Smack Records, Epic Records |
| Associated acts | Cheap Trick, The Grim Reapers, Toast and Jam, Nazz, Sick Man of Europe |
| Past members | Rick Nielsen, Joe Sundberg, Tom Petersson, Craig Myers, Chip Greenman, Thom Mooney, Robert "Stewkey" Antoni, Bun E. Carlos |
Fuse was an American rock band formed in Rockford, Illinois, in 1967, after Rick Nielsen proposed the merging of two local bands: The Grim Reapers and Toast and Jam. Managed by Ken Adamany, Fuse's line-up consisted of Rick Nielsen (keyboards/guitar), Joe Sundberg (vocals), Tom Peterson (bass guitar), Craig Myers (lead guitar), and Chip Greenman (drums/percussion). After releasing an album, Fuse moved to Philadelphia in 1971 and began calling themselves Sick Man of Europe. After a European tour in 1973, Nielsen, Petersson and Carlos formed Cheap Trick with Randy Hogan.
The group formed in Rockford, Illinois, in 1967, after Rick Nielsen proposed the merging of two local bands: The Grim Reapers (Rick Nielsen and Joe Sundberg) and Toast and Jam (Chip Greenman, Craig Myers, and Tom Peterson later known as Tom Petersson). Managed by Ken Adamany, Fuse's line-up consisted of Rick Nielsen (keyboards/guitar), Joe Sundberg (vocals), Tom Peterson (bass guitar), Craig Myers (lead guitar), and Chip Greenman (drums/percussion).
A single was recorded for Smack Records, including the tunes "Hound Dog" and "Crusin for Burgers". In 1969, the band played in Chicago and was signed by Epic Records. Epic executives rushed the band into Columbia Studios in the fall and, in a matter of a few weeks, the album Fuse was recorded, which was released early 1970 (re-released in 2001). It remains their only album, though a bootleg disc, Retrospective Foresight, was released some time later.
Recorded with producer Jackie Mills in late 1968, the album was not as successful as the band or label hoped. According to Richie Unterberger of Allmusic, "The album is an average, perhaps somewhat below average, late-'60s hard rock recording. It looks forward to some facets of '70s metal and art rock in its overwrought vocals, tandem hard rock guitar riffs, and classical-influenced keyboards."
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