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Olympic Games | ||
1932 Los Angeles | Medals and reliefs |
Frederick William MacMonnies (September 28, 1863 – March 22, 1937) was the best known expatriate American sculptor of the Beaux-Arts school, as successful and lauded in France as he was in the United States. He was also a highly accomplished painter and portraitist.
He was born in Brooklyn Heights, Brooklyn, New York and died in New York City.
Three of MacMonnies' best-known sculptures are Nathan Hale, Bacchante and Infant Faun, and Diana.
In 1880 MacMonnies began an apprenticeship under Augustus Saint-Gaudens, and was soon promoted to studio assistant, beginning his lifelong friendship with the acclaimed sculptor. MacMonnies studied at night with the National Academy of Design and The Art Students League of New York. In Saint-Gaudens' studio, he met Stanford White, who was turning to Saint-Gaudens for the prominent sculptures required for his architecture.
In 1884 MacMonnies traveled to Paris to study sculpture at the École des Beaux-Arts, twice winning the highest award given to foreign students. In 1888 he opened a studio in Paris and began to create some of his most famous sculptures, which he submitted annually to the Paris Salon. In his atelier, he mentored such notable artists as Janet Scudder and Mary Foote.
The life-size Nathan Hale was the first major commission gained by MacMonnies. Erected in 1890 in City Hall Park, New York, it stands near where the actual Nathan Hale was thought to have been executed. Copies are scattered in museums across the United States, since MacMonnies was one of the earliest American sculptors to supplement his fees from major commissions by selling reduced-size reproductions to the public. The Metropolitan Museum has a copy, as do the Art Museum at Princeton University, the National Gallery of Art, Phoenix Art Museum, and the Mead Art Museum at Amherst College.