Art competitions formed part of the modern Olympic Games during its early years, from 1912 to 1948. The competitions were part of the original intention of the Olympic Movement's founder, Pierre de Frédy, Baron de Coubertin. Medals were awarded for works of art inspired by sport, divided into five categories: architecture, literature, music, painting, and sculpture.
The juried art competitions were abandoned in 1954 because artists were considered to be professionals, while Olympic athletes were required to be amateurs. Since 1956, the Olympic cultural programme has taken their place.
With the founding of the International Olympic Committee (IOC) in 1894, and the celebration of the first modern Olympic Games, French Baron Pierre de Coubertin saw the fulfillment of his ideals — men being educated in both mind and body, and competing in sport rather than war. One of his other desires was to combine both art and sport, and he thus considered including artistic competition in the Olympic Games.
In May 1906, Baron de Coubertin organised a meeting in Paris for both IOC members and representatives of artists' organisations. The meeting ended with a proposal to the IOC to organise artistic competitions at the Olympic Games in five areas (architecture, literature, music, painting, and sculpture). The works of art entered had to be inspired by sports.
Preparations were underway to hold such competitions at the 1908 Summer Olympics, which were scheduled for Rome, Italy. But the Italian organisers were faced with financial troubles and were forced to halt preparations, and the IOC awarded the organisation to London in 1907. The British organisers planned to hold the art competitions, but because of the short preparation time, they were cancelled. The organisers felt that artists would not have enough time to send in their works.