Four-part harmony

The term "four-part harmony" refers to music written for four voices or for some other musical medium—four musical instruments or a single keyboard instrument, for example—where the various musical parts can give a different note for each chord of the music.

The four main voices are typically labelled as: soprano (or treble),alto (contralto or countertenor), tenor, and bass. Because most singers have a relatively limited range, the upper notes of the soprano or tenor part cannot be sung by a bass singer. Conversely, the lower notes of the bass part typically cannot be reached by a soprano voice, with some notes so low that alto and tenor voices cannot reach them either.

Even groups of just four people, singing as quartets, can perform in four-part harmony.

In the baroque era, a set of rules developed for voice leading in four-part harmony. The bass voice would be assigned the root of the chord, although it would occasionally be assigned to the fifth. If the chord is a triad, the root is generally double by one of the other voices. Voices never cross; that is, the soprano part would always be the highest in pitch, the next highest would be the alto, next the tenor, and the bass would be lowest. When two voices harmonized in perfect intervals, they were forbidden from staying in the same perfect harmony in the next chord, also known as moving in parallel. Another rule concerns authentic cadences. In such cadences, the leading tones are required to resolve to the tone a half step away. That is, the voice that plays the 7th must also play the resolution up to the tonic, and if the fifth chord is a dominant seventh, the fourth must resolve down to the third. These rules are still obeyed now in strict four part harmonizations, although most compositions now apply less strict forms of voice leading.

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