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Fine (Whitney Houston song)

"Fine"
Whitney Houston - Fine.jpg
Single by Whitney Houston
from the album Whitney: The Greatest Hits
B-side "Love to Infinity Megamix"
Released November 14, 2000 (2000-11-14)
Format
Recorded The Record Plant
(Los Angeles, California)
Genre R&B
Length 3:34
Label Arista
Songwriter(s)
Producer(s)
Whitney Houston singles chronology
"Same Script, Different Cast"
(2000)
"Fine"
(2000)
"The Star Spangled Banner"
(2001)
"Same Script, Different Cast"
(2000)
"Fine"
(2000)
"The Star Spangled Banner"
(2001)
Music video
"Fine" on YouTube

"Fine" is a song by American R&B singer Whitney Houston, and was the fourth single from her 2000 compilation album, Whitney: The Greatest Hits.

"Fine" is a mid-tempo R&B tune, written and produced by Raphael Saadiq and Kamaal Fareed. According to Billboard, it features "languid retro-funk guitars" and a "sneaky hook", brought to life by "richly layered harmonies". It was described as having "a sleek lite-funk sound" by The Star-Ledger.

Billboard wrote that "Fine" is "perhaps her most convincing crack at urbanized pop music to date. [Houston] seems to have eased into the chilled soul that propels a street-wise track. She wisely does not give into the temptation to belt and wail her way through the song [...]. Instead, Houston works the more sultry lower register of her voice, saving the big, beautiful notes as a dramatic accent toward the end of the cut".LA Weekly in its review for Whitney: The Greatest Hits wrote that "Only on the stellar R&B track “Fine” does Whitney stand out. [...] “Fine” is soulful, funky and tight as hell. And the vocal performance ranks among Whitney’s best."The Baltimore Sun wrote that "Of the new tracks [on Whitney: The Greatest Hits], only the sultry, soulful "Fine" manages to convey any of the strengths that made Houston a star." and "hearing [Houston] work the tune's insistent, retro-funk groove, there's no doubting that she still has what it takes to make hits".CANOE reviewer Jane Stevenson felt that the song "falls flat".The Star-Ledger wrote that the song "grows tiresomely repetitious". According to New Nation the song takes Houston "to even greater heights, changing [her] vocals to a much lower tone, with an added hip-hop bassline". The St. Louis Post-Dispatch called it "a wonderful composition".


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