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Fear of a Black Planet

Fear of a Black Planet
Fear of a Black Planet.jpg
Studio album by Public Enemy
Released April 10, 1990
Recorded June–October 1989
Studio Greene St. Recording in New York City, The Music Palace in West Hempstead, Spectrum City Studios in Hempstead
Genre Hip hop
Length 63:21
Label Def Jam, Columbia
Producer Chuck D, Eric "Vietnam" Sadler, Hank Shocklee, Keith Shocklee
Public Enemy chronology
It Takes a Nation of Millions to Hold Us Back
(1988)
Fear of a Black Planet
(1990)
Apocalypse 91... The Enemy Strikes Black
(1991)
Singles from Fear of a Black Planet
  1. "Fight the Power"
    Released: June 1989
  2. "Welcome to the Terrordome"
    Released: January 1990
  3. "911 Is a Joke"
    Released: April 1990
  4. "Brothers Gonna Work it Out"
    Released: June 1990
  5. "Can't Do Nuttin' for Ya Man"
    Released: October 1990
Professional ratings
Review scores
Source Rating
AllMusic 5/5 stars
Chicago Tribune 4/4 stars
Christgau's Consumer Guide A
Encyclopedia of Popular Music 5/5 stars
Entertainment Weekly A−
NME 10/10
Pitchfork 10/10
Q 5/5 stars
Rolling Stone 4/5 stars
The Rolling Stone Album Guide 5/5 stars

Fear of a Black Planet is the third studio album by American hip hop group Public Enemy. It was released on April 10, 1990, by Def Jam Recordings and Columbia Records. For the album, Public Enemy's production team The Bomb Squad sought to expand on the dense, sample-layered sound of the group's 1988 record It Takes a Nation of Millions to Hold Us Back. Having fulfilled their initial creative ambitions with that album, Public Enemy aspired to create what lead rapper Chuck D called "a deep, complex album". Their songwriting was partly inspired by the controversy surrounding member Professor Griff and his dismissal from the group in 1989.

Fear of a Black Planet features elaborate sound collages that incorporate varying rhythms, numerous samples, media sound bites, and eccentric loops, reflecting the songs' confrontational tone. Recorded during the golden age of hip hop, its assemblage of reconfigured and recontextualized aural sources preceded the sample clearance system that later emerged in the music industry. Fear of a Black Planet explores themes about organization and empowerment within the black community, social issues affecting African Americans, and race relations at the time. The record's criticism of institutional racism, White supremacy, and the power elite was partly inspired by Dr. Frances Cress Welsing's views on color.


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