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It Takes a Nation of Millions to Hold Us Back

It Takes a Nation of Millions to Hold Us Back
PublicEnemyItTakesaNationofMillionstoHoldUsBack.jpg
Studio album by Public Enemy
Released June 28, 1988
Recorded 1987
Studio Chung King Studios and Greene St. Recording in Manhattan, and Sabella Studios in Long Island
Genre Hip hop
Length 57:51
Label Def Jam, Columbia
Producer Chuck D, Rick Rubin (exec.), Hank Shocklee
Public Enemy chronology
Yo! Bum Rush the Show
(1987)
It Takes a Nation of Millions to Hold Us Back
(1988)
Fear of a Black Planet
(1990)
Singles from It Takes a Nation of Millions to Hold Us Back
  1. "Rebel Without a Pause"
    Released: July 1987
  2. "Bring the Noise"
    Released: November 1987
  3. "Don't Believe the Hype"
    Released: June 1988
  4. "Night of the Living Baseheads"
    Released: October 1988
  5. "Black Steel in the Hour of Chaos"
    Released: 1989
Professional ratings
Retrospective reviews
Review scores
Source Rating
AllMusic 5/5 stars
Christgau's Record Guide A+
Encyclopedia of Popular Music 5/5 stars
NME 10/10
Pitchfork 10/10
Q 5/5 stars
The Rolling Stone Album Guide 5/5 stars
Select 5/5
Slant Magazine 4.5/5 stars
Spin Alternative Record Guide 10/10

It Takes a Nation of Millions to Hold Us Back is the second studio album by American hip hop group Public Enemy, released on June 28, 1988, by Def Jam Recordings. Public Enemy set out to make the hip hop equivalent to Marvin Gaye's What's Going On, an album noted for its strong social commentary. Recording sessions took place during 1987 at Chung King Studios, Greene St. Recording, and Sabella Studios in New York City. Noting the enthusiastic response toward their live shows, Public Enemy intended with Nation of Millions to make the music of a faster tempo than the previous album for performance purposes.

The album charted for 49 weeks on the US Billboard 200, peaking at number 42. By August 1989, it was certified platinum by the Recording Industry Association of America, for shipments of one million copies in the United States. The album was very well received by music critics, who hailed it for its production techniques and the socially and politically charged lyricism of lead MC Chuck D. It also appeared on many publications' year-end top album lists for 1988 and was the runaway choice as the best album of 1988 in The Village Voice's Pazz & Jop critics' poll, a poll of the leading music critics in the US.

Since its initial reception, It Takes a Nation of Millions to Hold Us Back has been regarded by music writers and publications as one of the greatest and most influential albums of all time. In 2003, the album was ranked number 48 on Rolling Stone magazine's list of the 500 greatest albums of all time, the highest ranking of all the hip hop albums on the list, and the only one acknowledged in the top hundred.


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