Fair Em

Fair Em, the Miller's Daughter of Manchester, is an Elizabethan era stage play, a comedy written c. 1590. It was bound together with Mucedorus and The Merry Devil of Edmonton in a volume labelled "Shakespeare. Vol. I" in the library of Charles II Though scholarly opinion generally does not accept the attribution to William Shakespeare, there are a few who believe they have seen Shakespeare's hand in this play.

Fair Em was published in quarto twice before the closing of the theatres in 1642:

Edward Phillips, in his Theatrum Poetarum (1675), states that Fair Em was written by Robert Greene; but since Greene ridicules the play's author and parodies two lines from the closing scene in his 1591 pamphlet Farewell to Folly, this attribution also seems unsound. Fair Em has a clear relationship with one of Greene's plays, Friar Bacon and Friar Bungay; it seems most likely that the author of Fair Em borrowed from Greene. Since Greene's play is thought to date to c. 1589, Fair Em would have to have originated between that date and the publication of Farewell to Folly in 1591. This span of 1589–91 conforms to the dating based on the Lord Strange connection, noted above.

In modern scholarship, the attributions of authorship that have attracted the most support are to Robert Wilson and to Anthony Munday. The attribution to Munday relies on similarities between Fair Em and John a Kent and John a Cumber. A later play, John Day's The Blind Beggar of Bednal Green (1600), bears noteworthy resemblances to Fair Em.

The plot derives from traditional sources; a ballad titled The Miller's Daughter of Manchester was entered into the Stationers' Register on 2 March 1581.

In the main plot, William the Conqueror falls in love with the image on the shield that the Marquess of Lubeck carries in a tournament. In disguise, William travels to the court of King Zweno of Denmark to see the original of the portrait; once there, he falls in love with Marianna, a Swedish princess held hostage at the Danish court. Marianna, however, is faithful to her suitor, Lubeck, and has no interest in William; but the king's daughter Blanche becomes infatuated with the newcomer. The ladies stage a plot, in which William absconds with the woman he thinks is Marianne; in doing so he gets in trouble with Zweno, who is under the same mistaken impression. When the woman's true identity is revealed – she is of course Blanche – William accepts her as his wife. Lubeck and Marianne are left, happily, to each other.

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