Robert Wilson (dramatist)
| Robert Wilson | |
|---|---|
| Born | c. 1540s |
| Died | buried 20 November 1600 |
| Resting place |
St. Giles, Cripplegate City of London, England |
| Occupation | Actor, Playwright |
| Years active | (1572-1600) |
| Employer | Philip Henslowe |
| Organization |
Leicester's Men Rose Theatre |
| Notable work |
|
Robert Wilson (flourished 1572 – 1600), was an Elizabethan dramatist who worked primarily in the 1580s and 1590s. He is also believed to have been an actor who specialized in clown roles.
He was connected with sixteen plays intended for Philip Henslowe's Rose Theatre, in partnership with other playwrights who also produced copy for Henslowe. While mentioned as a dramatist by Francis Meres in 1598, most existing information on his dramatic career is derived from Henslowe's papers.
Since the name is common, it is not certain that the Robert Wilson who worked for Henslowe in 1598-1600 is the same man who was a prominent actor and occasional playwright in the 1580s; yet many scholars consider it more likely than not that the records refer to one Robert Wilson and not two. If this is correct, Wilson was acting with Leicester's Men in the 1570s, and was praised along with Richard Tarlton for his "wit." He is generally accepted as the author of The Three Ladies of London (published 1584), The Three Lords and Three Ladies of London (published 1590), and The Cobbler's Prophecy (published 1594). It has been speculated that he may also have written Fair Em (c. 1590). In Palladis Tamia (1598), Francis Meres mentions Wilson along with Tarlton, and specifically connects Wilson with the Swan Theatre, which was built c. 1595.
In just over two years, from spring 1598 to summer 1600, Wilson worked with other members of Henslowe's stable of house playwrights on sixteen different plays, including three two-part projects. Several of these were never completed.
Of Wilson's collaborations for Henslowe, only the first part of Sir John Oldcastle was published, in 1600 and 1619. None of the other plays has survived. Sir John Oldcastle was commissioned as a counterblast to the negative depiction of title character in the original versions of William Shakespeare's plays Henry IV, Part 1 and Henry IV, Part 2. Objections from descendants of the historical John Oldcastle, a Protestant martyr, appears to have been responsible both for the writing of the corrective Oldcastle play and the alteration of Oldcastle to Sir John Falstaff in later versions of the Henry IV plays.
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