Fado
| Fado | |
|---|---|
| Stylistic origins | Portuguese music |
| Cultural origins | Early 19th-century Lisbon, Portugal |
| Typical instruments |
Guitarra Portuguesa: Portuguese guitar |
| Derivative forms | Coimbra Fado |
Guitarra Portuguesa: Portuguese guitar
Viola: virtually identical to, and sometimes called guitarra clássica (classical guitar) but traditionally uses steel strings.
Fado (Portuguese pronunciation: [ˈfaðu]; "destiny, fate") is a music genre which can be traced to the 1820s in Lisbon, Portugal, but probably with much earlier origins. Fado historian and scholar Rui Vieira Nery states that "the only reliable information on the history of Fado was orally transmitted and goes back to the 1820s and 1830s at best. But even that information was frequently modified within the generational transmission process that made it reach us today."
Although the origins are difficult to trace, today fado is commonly regarded as simply a form of song which can be about anything, but must follow a certain traditional structure. In popular belief, fado is a form of music characterized by mournful tunes and lyrics, often about the sea or the life of the poor, and infused with a sentiment of resignation, fatefulness and melancholia. This is loosely captured by the Portuguese word saudade, or "longing", symbolizing a feeling of loss (a permanent, irreparable loss and its consequent lifelong damage). This is similar to the character of the music genre Morna from Cape Verde, which may be historically linked to fado in its earlier form but has retained its rhythmic heritage. This connection to the music of a historic Portuguese urban and maritime proletariat (sailors, dock workers, port traders, etc.) can also be found in Brazilian Modinha and Indonesian Kroncong, although all these music genres subsequently developed their own independent traditions.
Famous singers of fado include Amália Rodrigues, Dulce Pontes, Carlos do Carmo, Mariza, Mafalda Arnauth, António Zambujo, Ana Moura, Camané, Helder Moutinho, Carminho, Mísia, Cristina Branco, Nathalie Pires, and Gisela João.
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Wikipedia